Jewellery and precious stones

POMELLATO Nudo classic" model Ring in 18k (750‰) yellow gold set with a briolette-cut amethyst Signed, numbered P600003921, hallmarked Tdd: 51.5 Gross weight: 7.9 g

National award saber from the Manufacture de Versailles, beautiful, sober hussar pattern: Single-branch hilt in gilt brass, adorned in the middle with an oval medallion bearing the signature: "Manufe A VERSAILLES", shuttle-shaped mounts decorated with a quarter-circle fillet around the perimeter, quillon chased with foliage, nicely cut German-style cap, leather-covered, filigree spindle; strong curved blade, engraved and gilded one-third with motifs in the style of those by Cassaignard; wooden scabbard with two large gilded brass fittings, ending in a gadrooned ring, and two splints, leather-covered crevices, two ring-holder studs fixed to the back of the fittings, the chape bears the inscription: "Le Mtre de La Guerre AU C. FALCONETTI LIEUT", iron stinger. This saber has seen a lot of use, as can be seen by the number of blows on the edge of the blade and the dents at the end of the scabbard; length 106 cm. Late Directoire, early Consulate period. Good condition. This saber is listed in Captain BOTTET's book on : La Manufacture de Versailles, Boutet directeur-artiste, J. LEROY Fils éditeur, 1903. "PIÈCE ANNEXE N° 1" (page 62). "ÉTAT DES ARMES DE LUXE DE LA MANUFACTURE DE VERSAILLES LE 29 NIVÔSE AN XII, FAISANT SUITE À CELUI DU 29 VENTÔSE AN IX, QUI FINIT PAR LE N° 149 (F. V. M. A.). Given by the Minister of War: N° 167, a copper saber to citizen Falconetti. Estimated at 90 fr." On one of the plates in the same work, number XXI shows a saber very similar to ours; the text of this plate is on page 55 and reads: "N° XXI. Sabre de récompense nationale décerné au citoyen FLEURIOT par le Directoire exécutif. Gilt bronze mount and fittings; basane-covered spindle. Klingenthal blade. This model is the 90-franc model noted for national awards". (See appendix, condition no. 1). In the Livre d'or de la gendarmerie 1791/1812, in the year 1794, we quote: "À l'attaque des Anglais en Corse du 5 février au 5 mars" is named: "M. FALCONETI (FALCONETTI), lieutenant à la 28e division". After the siege of Toulon, a large number of English ships and frigates surround Corsica. On 17 pluviôse (February 5), two ships and a frigate came within sight of the small port of Centuri, where the people's representative had sent Lieutenant FALCONETI with 21 gendarmes. The English claimed a Genoese ship that had taken refuge in the port. FALCONETI replied: "That there was no Genoese boat in the port, that the one they were asking for was in Saint-Florent, and that it was there, in Calvi or Bastia, that the threatening demands should be made; that, as for him, he had few people, but that if they wanted to send him two boats full of Englishmen, he would show them the way". The English then began to machine-gun the gendarmes and landed two hundred men. Aided by the two PIETRI AGOTINI brothers and the mayor of Centuri, FALCONETI and his gendarmes attacked the English with such impetuosity that they fled, leaving him with one dead and several wounded.

CARTIER Watch in 18K yellow gold 750‰ and steel, Panthère model, square-shaped case, beige dial, Roman numerals, blued steel sword hands, central second hand, date window at 5 o'clock. Quartz movement (as is). Crown set with a cabochon sapphire. Alternating brickwork bracelet with folding clasp. Screw-down caseback, signed. Numbered 183949-9059XXX Additional links. In box with papers and invoice dated 1989. Case size: 30 x 30 mm Marks of use, scratches. Gross weight 71.50 g

POMELLATO M'ama non m'ama" collection Two rings in 18k yellow gold (750‰) each adorned with an onyx cabochon for one and blue topaz for the other Signed, engraved 750 Tdd : 51 Gross weight : 5 g

CHARLES NEVES AND HENRI DUBOIS Articulated comb in 18K (750/1000) yellow gold with 7 tortoiseshell prongs, centered with three oval agate cameos: two with right and left profile busts of men, one with calamistrated hair, the second wearing a Phrygian cap whose flaps descend to the neck, surrounding the third with a woman driving a bige /char holding the queens in the left hand. Comb made in the 19th century. Master stamp of the silversmiths Nève and Dubois and eagle head stamp. Dimensions: 12 x 8.5 cm Dimensions of central cameo: 2.8 x 3.8 cm Dimensions of two other cameos: 2.6 x 1.8 cm Gross weight: 48.7g The design of the right cameo, "Buste de jeune homme coiffé du bonnet phrygien" (bust of a young man wearing a Phrygian cap), can be compared with a cameo kept at the Bibliothèque nationale de France (BNF), the "Victoire" cameo (inventory number: cameo.565). The cameo motif on the left can be compared with a cameo held at the Bibliothèque nationale de France (BNF), the "Buste de jeune homme coiffé du bonnet phrygien" cameo (Inventory number: cameo.127).

Khải Định (1916-1925), Ngợc Emperor's personal Khánh. Very important Khánh in white jade, engraved around the rim with a decoration of dragons facing each other in partially openwork clouds, framing engraved and gilded characters, on the obverse KHẢI ĐỊNH TRÂN BƯŨ meaning "precious badge of dignity of the Emperor Khải Định", on the reverse THỤ THIÊN VĨNH MẠNG meaning "having received the perpetual mandate of Heaven". Gold suspension chain, pendants formed by a thick red gold Annamite knot with floral decoration set with three Rhinestones on the obverse, below, three small pearls support three linked red gold filigree half-spheres, adorned with bangs of alternating mother-of-pearl and coral beads, the ends decorated with green pear-shaped beads emerging from small gold leaves. 104 x 57 mm, gross weight 82.64 g Provenance: collection of H.I.H. Prince Bảo Long, Binoche sale at Drouot, November 22, 1995, no. 12. This exceptional personal badge of Emperor Khải Định appeared on his many official photographs, notably those taken by René Tétart, head of the cinematographic mission of the General Government of Indochina. It was later also sported by his son Bảo Đại, who had the motif of the pendants modified by adding Rhine stones.

CARTIER Love bracelet in 18k (750) pink gold set with brilliant-cut diamonds. Signed, numbered "16FNG658". L.: 60 mm Weight: 16.2 g Scratches.

ROLEX, "Lady Oyster Perpetuel" model, 1970s Steel ladies' watch bracelet. Case: round (24mm), smooth bezel, screw-down caseback. Dial: radiant silvered, white enamelled applied baton hour markers, luminescent dots from five to five and railway track for the minutes, luminescent baton hands, central second hand, signed. Movement: mechanical self-winding, winding crown signed. Bracelet and buckle: articulated Oyster links and folding clasp, signed and stamped (ref. 78340, endlinks 566). With case and box.

Articulated silver bracelet (900/1000) featuring oval motifs decorated with micro-mosaic monuments. Hallmarked hure / boar's head. Circumference: 16 cm approx. Gross weight: 40g

Ring in 18K (750/1000) yellow gold, centered on a sapphire weighing approx. 0.7 carat in a setting of diamonds and calibrated sapphires. TDD: 54 Gross weight: 4.2g

18K (750/1000) yellow gold Memento Mori / vanity ring featuring conjoining skeletons holding an amethyst. French work, eagle head hallmark and master hallmark. TDD: 64 Gross weight: 11.9g

Lot of diamonds on paper. Various sizes. Weight : approx. 5.50 cts.

CHAIN AND OPENWORK PENDANT In 750°/°° white gold Set with baguette and brilliant-cut diamonds Gross weight: 2.79 g Expert : Maxence MARTIN

OMEGA, De Ville model, Reference 195 0077 Wristwatch in gold-plated metal, steel and leather. Case: cushion-shaped (30x30mm), clipped back. Dial: gilt, applied gilt baton hour markers, gilt baton hands. Movement: quartz, calibre 1478. Buckle: non-original metal pin buckle. (Battery to be changed).

Half-set in 18k (750) white gold and platinum comprising a bracelet and lapel clip adorned with modern-cut round and baguette-cut diamonds. Safety chains. French work. Weight of central diamond: approx. 0.5 ct. Wrist circumference: 17.5 cm. - Gross weight: 74.2 g. In a navy blue case.

YVES SAINT LAURENT Gold-plated metal bracelet. Signed Yves Saint Laurent. Wrist size: 17 cm.

DUSAUSOY 18K (750/1000) gold and platinum (900/1000) art deco tiered brooch, paved with two lines of 28 old-cut diamonds approx. 0.05 carat and centered with an old-cut diamond approx. 0.4 carat. Total estimated diamond weight: 2 carats. Numbered, master mark difficult to read. Dimensions: 1.5 x 5.5 cm Gross weight: 10.9g The preparatory drawing for this brooch is from the Dusausoy collection. The Maison Dusausoy, active from 1840 to 1970, was a family-owned French jewelry company renowned for its avant-garde creations, particularly in the Art Deco style. Founded by Justin Dusausoy and subsequently run by his sons Pierre and Jean, the house distinguished itself by its expertise in transforming antique jewelry into modern, original pieces. It quickly gained a reputation as a master jeweler, showcasing its creations alongside the great houses of the day such as Mauboussin, Cartier, Van Cleef & Arpels and Boucheron. Maison Dusausoy took part in numerous international exhibitions, receiving praise for its innovation and avant-garde design. During the Second World War, it concentrated on appraising antiques and trading in antique jewelry. The company closed its doors around 1970. Today, its legacy is recognized throughout the jewelry world.

HERMES Paris, made in Austria Gilt metal and polychrome enamel bangle decorated with fans, ribbons and pearls. Signed "HERMES". Wrist size: 19.5cm. Width: 0.9cm.

Rare regional Provencal necklace from Arles in 18K (750/1000) gold and silver set with rose-cut diamonds on a paillon, held by a three-row jaseron chain, the clasp enameled in polychrome with floral motifs. Early 19th century. Horse hallmark for the central part and eagle head hallmark for the triple jaseron chain. Length: 39 cm Length of central pendant: 5 cm Gross weight: 52.2g France's regional jewels are precious witnesses to the history and culture of each of the country's regions. Among them, the Provencal necklace from Arles stands out for its elegance and distinctive heritage. This necklace, often worn on special occasions in the Provence region, embodies the craftsmanship of a bygone era and a love of tradition. Composed of diamonds on paillon, held in delicate pendants and floral motifs, it evokes the sunny, warm spirit of Provence. Rarely offered at auction, this Provencal necklace from Arles tells a story, whether of ancient craftsmanship or of customs handed down from generation to generation. When you wear it, you're proudly wearing a piece of Provençal history and identity, perpetuating a precious, timeless heritage. Bibliography:

CÉSAR (1921-1998). Compression pendant made of gold jewels, including several medals representing the signs of the zodiac, embellished with a cultured pearl. Retractable clasp. Signed César. Gross weight: 65.4 g. 5.1 x 1.7 x 1.7 cm. This César pendant is referenced under number 824 in the archives of Madame Denyse Durand-Ruel. Note: We would like to thank the Fondation César and Madame Stéphanie Busuttil-Janssen, holder of César's moral rights, for confirming the authenticity of this pendant...

SOLANGE AZAGURY - PATRIDGE Ring in 18K (750/1000) yellow gold featuring a ring with an enameled gray cat walking on it. Circa 2010. TDD: 56 Gross weight: 2.8g

Ring in 18k (750th) white gold and 850th platinum, set with a pearled oval faceted sapphire in a scalloped setting of old-cut diamonds, the basket with openwork decoration. French work circa 1930/1940. Gross weight: 3 g. Finger size: 49.

Boucheron Ring in 18K yellow gold 750‰ and platinum 950‰, "Serpent bohème" model, set with a pavement of brilliant d diamonds and a pavement of round sapphires. French work. Hallmark of the André Vassort workshop. Signed. Traces of use marked and stones chipped. Finger size 53 Gross weight 10.50 g

Line VAUTRIN (1913-1997) NECKLACE in talosel and blue mirror chips. Stamped "JOUX" L. 47 cm

An 18k (750%) yellow gold and silver ring set with a sugar loaf cabochon emerald in a surround of old-cut and rose-cut diamonds Early 19th century Tdd : 54.5 Gross weight: 3.8 g

9K (375/1000) gold ring set with two cameos facing each other depicting female profiles. Trefoil hallmark. TDD: 49 Gross weight: 7.6g

CHANEL Circa 1980 Pair of gilded metal dome earrings, clip clasp. Signed on one and dated 1985, ref. 2213 on the other. In a signed cardboard box. Diameter: 24 mm - Slight alteration on the reverse.

Chevalière ring in 750 thousandths yellow gold engraved with a coat of arms topped by a count's crown. Finger size: 45, weight: 10.2 g.

French work, 1960's Ring in 750 thousandths white gold set with emeralds on one side and faceted round rubies on the other, between two tilting rings set with 8/8-cut diamonds. Diamond hallmark of the Atelier de Jean Thierry BONDT. Finger size: 53. Gross weight: 5.4 g. (Missing stones and chips). The Atelier de Jean Thierry Bondt has worked for many French jewelry houses, including Gaucherand, Lacloche, Sterlé, Van Cleef and Arpels and especially Boucheron.

DINH VAN for Pierre CARDIN 1972 Necklace in yellow gold and white and gray-tinted cultured pearls Signed, dated © 1972 Length: 39 cm Gross weight: 8.6 g

French work from 1930-35 Large "Volute" double-clip in platinum (850‰) and 18k white gold (750‰) set with round old-cut diamonds and baguette diamonds A system allows the smaller clip to be suspended to unite the two parts Dimensions: (large): 5.5 x 3.2 cm - (small): 4.8 x 3 cm Gross weight: 35 g

PIAGET 18K (750/1000) yellow gold ring. Signed, numbered and dated 1994 TDD: 52 Weight: 8.1g

GOUDJI Paris Torque necklace in vermeil (800th), centered with a barrel-shaped interchangeable pendant enhanced with lapis lazuli plaques, magnetic opening in the center. Signed. Work of the 1970's. Gross weight: 92.60 g. Diameter: approx. 15 cm. Expert : Drew Battaglia for Sancy expertise

FRED 18k (750‰) yellow gold signet ring with gadroons set with a round faceted blue topaz. Signed, hallmarked Tdd : 69 Gross weight: 21.7 g

H STERN Necklace in 18K (750/1000) yellow gold, "Brazil" model / rainbow? collection, fully articulated, paved with a line of various stones (topaz, peridot, citrine, amethyst...) forming the colors of the rainbow. Total weight of stones estimated on the invoice: 78 stones for a total of 28.6 carats. With black velvet case Unsigned. Safety clasp. One link deformed. Length: 41 cm With original invoice: paid 2870 euros in 2003. Gross weight: 25.2g

Ring in 18K (750/1000) white gold, the octagonal top centering an emerald in a surround of 8 round brilliant diamonds and 20 emeralds. TDD: 57 Gross weight: 4.3g

Ring in 18K (750/1000) yellow gold featuring a bow paved with some twenty diamonds and an emerald weighing approximately 0.3 carat. Eagle head hallmark. TDD: 53 Gross weight: 3.3g

CHAUMET - Important high jewelry ring in platinum, centered on an oval ruby weighing approx. 4.20 carats set in a double border of graduated brilliant-cut and 8/8-cut baguette diamonds, total approx. 4 carats Circa 1960 Partially visible signature, Chaumet hallmark TDD : 50 Pb: 12.76 g (Platinum-950/1000) This ring is accompanied by a GEM PARIS#20241977590-1 certificate stating that the ruby is of Burmese origin with no thermal modification or treatment.

Watch lot including: One Longines, signed Ferrari. One Seiko. One Ébel.

18K (750/1000) yellow gold duchesse-type ring set with fifteen round brilliant diamonds, the largest approx. 0.3 carat and old cut, a presumed fine pearl and a ruby cabochon. Eagle head hallmark. TDD: 52.5 Gross weight: 5.2g

HERMES Paris, made in Austria Gilt metal and polychrome enamel bangle decorated with carriages and riders. Signed "HERMES". Wrist size: 19.5cm. Width: 1.9cm. (Slight scratches).

Mascotte Victoire, par René Lalique, Circa 1928 - Radiator cap in satin-finish and glossy pressed white glass, signed R. LALIQUE France in relief in the mass. Mounted with a ring on a black marble base. Dimensions: Height: 15 cm; Diameter: 6.6 cm; Overall length: 25.5 cm Used condition. Exceptional mascot that became a symbol of the Art Deco period. Called Victoire or Spirit of the Wind, probably created as a tribute to the Allied Victory of 1918. René LALIQUE (1860-1945): Trained as a jeweler and glassmaker, René Lalique linked his talent with the world of automobiles for the first time in 1906 with the design and creation of the trophy for participants in the Targa Vincenzo Florio. The eponymous race, named after its founder, rewarded its winners with a Targa - meaning plate in Italian - engraved by René Lalique, showing a racing car against a Sicilian landscape. Encouraged by this initial success, as well as by the development of the automobile and its accessories through mascots, René Lalique also contributed to the fashion of the 1920s and 1930s. Lalique and radiator caps (1925 -1937): From 1925 onwards, René Lalique created no fewer than 30 models of these mascots. Glass and its transparency provide René Lalique's workshops with an internal light source. This was the height of luxury that Lalique had just created with its luminous radiator caps. These mascots become veritable sculptures of light, illuminated from within by a dynamo powering a 6V lighting system. The patent applied for on January 22, 1929 was for a "luminous radiator cap for motor cars". Created in 1928, Victoire remains one of the most magnificent mascots ever, representing an allegory of peace. Designed to celebrate the 10th anniversary of the Armistice of November 11, 1918, this moving female face comes to life at the heart of the material, a glass both satin-finished and shiny. The hair, reminiscent of a streamlined Indian headdress, and the half-open mouth, revealing a shrill cry, create a unique effect of speed and power. In this way, automobile mascots represent a specific period in automotive history, reflecting both artistic craftsmanship and the evolution of automobile design over the decades. Victoire de Lalique is the finest representation of this, not only in its material, signature and design, but also in its posterity, as much a symbol of Art Deco as of Automobile passion. Lalique patents : - N° 472.382, issued August 4, 1914, process for decorating glass or transparent materials with patterns illuminated by means of concealed or concealed luminous foci. Bibliography: Félix Marcilhac, "René Lalique, catalog raisonné de l'œuvre de verre", Les Éditions de l'Amateur, Paris, 2011, Section Bouchons de radiateur, model referenced under no. 1147 reproduced on p. 502. Michel Legrand, "Mascottes Automobiles", Edition E.P.A, Paris, 1993, model number 251 reproduced on p. 91.

THOMAS BONIFACE FONTANA et Cie Necklace in 18K yellow gold 750‰, composed of column link chains, adorned with black enameled motifs, in its center stars set with rose-cut diamonds pampille black enameled ferrets. Ratchet clasp, the box adorned with a dahlia motif set with a rose-cut diamond. Length: 38.50 cm Gross weight: 36 g (Minor enamel chips) In a velvet and satin presentation case, signed T. Fontana & Cie Palais Royal 93 & 94 près la rotonde, Paris. Worn case. The necklace is not hallmarked, but we know of similar necklaces made by Thomas Boniface Fontana and his nephews around 1861-1871, when they were associated. "Dictionnaire des joailliers, bijoutiers et orfèvres en France de 1850 à nos jours", edited by Remi VERLET. Edition Gallimard- L'École des arts Joailliers, 2022, pages 903 and 904.

LONGINES Men's wristwatch in steel and black leather. Case: round (35mm), smooth bezel, screw-down caseback. Dial: silvered, gold-plated applied hour markers, minute track, gold-plated Dauphine hands, central second hand. Movement: automatic, screw-down back. Buckle: non-original pin buckle. (Oxidation).

Art Deco platinum (850/1000) tank ring, the top of which features a knot set with a round brilliant-cut half diamond, approx. 0.6 carat, in a pavé setting of calibrated diamonds and sapphires. The openwork basket. Total estimated diamond weight: between 1 and 1.5 carats. Mascaron hallmark. TDD: 54 Gross weight: 11.8g

VAN CLEEF & ARPEL Brooch in 18K (750/1000) yellow gold featuring a heart formed by a wooden branch. Signed VCA, numbered, eagle head hallmark and master hallmark (most likely André Vassort). Dimensions: approx. 3.3 x 3.5 cm Weight: 14.1g

Yves SAINT LAURENT Rive Gauche Pair of ear clips in gilded metal, red cabochon and mother-of-pearl. Signed Height: 5.5 cm

18K (750/1000) yellow gold lightly twisted chain. Eagle head hallmark. Length: 50 cm weight : 5,6g

Tank ring in 18K gold 750/1000e and its synthetic aquamarine. TDD 49. Gross weight : 7,7 g.

Rare Victorian English snake necklace in 14K (585/1000) yellow gold, consisting of a flexible mesh ending in a snake's head adorned with garnets, holding in its mouth a heart pendant also adorned with a garnet, the reverse side revealing a compartment probably containing hair (accident to the glass). St. Jacques shell hallmark Length: Gross weight: 13.6g The snake, an ancient symbol charged with multiple meanings, has found its place in the world of jewelry for centuries. Among its incarnations is the Victorian snake necklace. In the Victorian period, the snake was adopted as a symbol of rebirth and eternity, often depicted as an orobouros, a snake biting its own tail. This motif, emblematic of infinite cycles and perpetual regeneration, was very much in vogue in England in the 1840s. Queen Victoria wore a snake bracelet to her first council meeting in 1837 and received a snake and emerald engagement ring from Prince Albert. These pieces were not only luxurious fashion accessories, but also talismans charged with spiritual and philosophical significance. The two Victorian snakes we are offering for sale are adorned with a medallion, placed in the snake's mouth, and containing locks of hair. This sentimental jewelry was a symbol of affection and remembrance, often given as a gift to a loved one. Hair, being a personal and intimate element, adds an extra dimension of emotional connection to these pieces. Even today, Victorian snake necklaces continue to fascinate, evoking the refinement of bygone eras and carrying with them the memory of beliefs and values that have endured through the ages. As such, they remain choice pieces for those seeking to combine aesthetic beauty, deep symbolism and sentiment in their adornments. It is quite rare to find these pieces at auction in France, their preferred territory being England. The Victoria and Albert Museum in London has a necklace with a similar shape to ours, dating from the same period. (M.58-1951)