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Graphic arts

Here you can find all you ever wanted to know about the graphic arts but never dared to ask !
The graphic arts (from the ancient greek graphein, to write) are defined as all technical procedures (drawing, prints, graphic design, etc.)
Enabling the visual conception or presentation of artistic work. By extension, they encompass all image reproduction procedures, like photography. Graphic art auctions thus include posters and drawings in watercolour, gouache and graphite on paper.
The art of the line found in old master and contemporary drawings rivals with prints: images obtained by printing from an engraved or drawn support – engravings, lithographs, screen prints, etc., the essential point being to make an imprint.online graphic arts sales also feature photographs, from Gustave Le Gray's albumen prints to contemporary prints by nan goldin, and even street art works, with tags, stencils and graffiti that have travelled from the street to the auction room.
Did you know ? One of banksy's fake £10 notes, distributed free to the crowd in notting hill in 2004, can now fetch €500 at drouot.

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Maurice Utrillo (1883 Paris - 1955 Dax) "Rue Saint-Rustique sous la neige" (Rue Saint-Rustique in the snow). Original title View of Paris painted around 1933/34 with a view of the street in Montmartre and the Basilique du Sacré-Coeur glowing white in the background. From around 1912, Utrillo repeatedly painted the picturesque alley located on the highest point of the Montmartre hill in different versions and techniques from varying angles in landscape and portrait format. The historic, oldest street in Paris, with its cobblestones and small houses leading up to Sacré-Coeur, offered him a fascinating wealth of motifs. Utrillo himself was born in the artists' quarter of Montmartre as the son of Suzanne Valadon, who was only 18 years old, a muse, model and later an important painter in her own right. He experienced psychological crises as a teenager and fell prey to alcohol - an addiction that haunted him throughout his life. Valadon, Edgar Degas and the painter Alphonse Quizet encouraged him to paint himself, and art also became a therapy for him against his own demons and alcohol. In the years 1910 to 1914, he found his own individual, expressive-realistic style beyond all artistic trends. His main subjects were Paris and in particular Montmartre, where he lived and worked. Unlike many of his fellow artists, Utrillo had never completed a classical training in painting. Yet it was precisely this that enabled him, as a self-taught artist, to depict the streets, urban canyons and squares with an originally raw power, often with only a few, but nevertheless virtuosically confident brushstrokes. These form a structuring, formally strict framework, whereby Utrillo's creative phases can be distinguished from one another less by their painting style than by their different coloring. Even before the I. Utrillo was represented in important exhibitions of modern art in Paris and Germany even before the First World War, including at Hans Goltz's "Neue Kunst" gallery in Munich in 1913/14. This triumphal march continued in the 1920s, Utrillo achieved increasing fame and popularity among collectors and critics, which continues to this day, so that in 1926 he finally had "Paris at his feet", as Oskar Schürer wrote in his article on Utrillo in the authoritative magazine "Die Kunst für Alle" (with illustration of a painting "Strasse St. Rustique"). Gouache/cardboard. Signed a. with location Montmartre. 48 cm x 62 cm. Frame. Wvz. Pétridès AG 612. Hélène Bruneau, Association Maurice Utrillo in Pierrefitte sur Seine, confirmed the authenticity of the work in an email on 23.12.2022. Provenance: Auction Grisebach, Berlin, 28.11.1997, lot 55. Gouache on cardboard. Signed with location Montmartre. Mentioned in the catalogue raisonné (Pétrides no. AG 612). The authenticity was confirmed in an email by Hélène Bruneau, Association Maurice Utrillo on the 23rd December 2022.

Estim. 75,000 - 150,000 EUR

FIAT 500 To replace the aging Topolino, Fiat commissioned engineer Dante Giacosa to design a new, minimalist model (297 cm long) to enable Italy to massively increase its motorization. The Nuova 500 was launched on July 4, 1957. Equipped with an air-cooled 480 cm3 vertical twin-cylinder rear-mounted engine developing 13 hp, it had 2 doors opening from front to rear. Displacement was soon increased to 499.5 cm3, and power was initially raised to 16 hp, later to 18.5 hp. This new model did not compete with the 600 from the same family, but its success confirmed that Fiat had a model that the market was waiting for. 1960 saw the launch of a new version, the Giardiniera. A small station wagon with an enlarged rear volume accessible through a side-opening door. Its engine is placed flat under the floor. In 1965, the doors were finally reversed. Its success continued, and in 1972 Fiat introduced the 500 L, a slightly more luxurious version that was a "hit" in terms of sales. Its successor, the 126, was introduced in 1972. Despite this, a final version of the 500 was produced in the form of the 500 R. In all, over 3,800,000 units were produced during its career, which ended in 1975. Abarth derived several sporty versions. It was also produced in Germany (Neckar) and Austria under the Steyr Puch name, with its own powertrain. The model offered for sale is in perfect condition, having been serviced. Body and interior are faultless. It has 54,900 km on the clock. It's the surest way to win everyone's sympathy in the spirit of "Dolce Vita".

Estim. 13,000 - 16,000 CHF