Table and silverware

ROUART, rue de la Paix - Porcelain service set with purple cameo decoration of flowering hedges and Indian flowers in the Meissen style, wickerwork motifs in slight relief and herringbone braid around the edges, comprising thirty-six dinner plates, twelve soup plates, seventeen dessert plates, twelve cheese plates, two leaf-shaped dishes, three oval dishes, four compote dishes in two sizes, six small butter dishes, one covered vegetable dish, one covered sugar bowl. First half of the 20th century

PARIS END OF THE 19th CENTURY In a wooden case with brass trim, bearing the name of the retailer: A. BRETON 39 & 41 Place du Grand Marché TOURS, part of a silver menagère, single-flat model without shoulder, figured in a laurel applique medallion. Comprising 94 pieces: - 18 table spoons - 18 table forks - 18 dessert spoons - 18 dessert forks - 18 tea spoons - 1 leg of lamb handle - 1 leg of lamb cutlery - 1 ladle Net weight: 3664 g - gross weight: 444 g Minerva hallmark Goldsmith : Emile PUIFORCAT Enclosed : 1 pie scoop, 1 sugar tongs, 1 cheese knife and 4 salt scoops of different models, most with the same numeral - hallmarked Minerva. Net weight: 77 g - gross weight: 241 g Condition: missing key and brass lock plate

PARIS 1642 - 1643 Chalice and paten in gilded, repoussé, cast and chased silver. The circular foot is edged with a leafy frieze of acanthus leaves, underlined by a line of seeds. It is chased with the veil of Veronica, the ladder and column, and the cross, sponge and sword in a leafy frame. On the foot are three chased cherubs' heads, echoing the ovoid knot and the false cup, in a frame of two gadroon flanges underlined by two smaller flanges. The reverse of the paten features the Resurrection molded with pearls. Net weight of chalice: 676 g - height: 26.7 cm - diameter of foot: 15.7 cm - of bowl: 9.8 cm - weight of paten: 239 g - diameter: 17 cm Hallmarks on the chalice: master goldsmith (incomplete, illegible) and jurande on the reverse and on the bowl - no hallmark on the paten.

Igor MITORAJ (1944-2014). "Persée", green patina bronze bust with travertine base. Signed lower right and numbered on the back C92/1000HC. Height with base: 48 cm

A polychrome, green, blue, yellow, red and manganese ceramic bowl on pedestal, decorated with grimacing masks and foliage; reverse, blue and manganese jaspered (small accidents and restorations, missing at the edge of the pedestal, two fleurons previously redone). Palissy suite, first half of the 17th century Diameter: 24.7 cm - Height: 5 cm Old label Spitzer Collection The Musée du Louvre has a very similar dish in its collection (inv. MR 2310). Provenance: SPITZER Collection, then by descent Reproduced under number 622 of the Spitzer Collection catalog, p. 109 of the 1893 sale catalog.

VIETNAM - 19th century An octagonal copper and enamel bowl on a pedestal, decorated with two dragons among clouds on a yellow background (the reverse is missing). H. 12 cm. Diam. 21 cm Expert : Cabinet Portier : Alice Jossaume

CHRISTOFLE large silver-plated menagère, Malmaison model. Comprising 12 place settings, 12 dessert forks, 12 fish forks and spoons, 24 knives, 12 teaspoons, serving pieces. In a white melamine case.

ENGLAND Milk jug in the shape of a cow. London hallmarks. Circa 20th century. Weight 136 gr.

Pablo PICASSO (1881-1973) & Atelier Madura. Round square plate decorated with four entwined profiles (model created in 1949), glazed earthenware. Marks on the underside "Madura plein feu" and "Empreinte originale de Picasso". Diameter: 26.5 cm

Igor MITORAJ (1944-2014). "Bijou torse", a bronze work created in association with Artcurial, limited edition of 100, here 10/100. Subject signed mitoraj and artcurial, can be made into a pendant with its leather link and a sculpture with its base. With box and certificate dated 10/07/80, signed by the artist and Artcurial. Sculpture dimensions: 5 x 5.5 cm Accident to necklace clasp.

China, Kangxi period (1661-1722) Large porcelain and green family enamel bowl decorated with birds on a tree in blossom. Chips around the rim. Diameter: 35.5 cm Expert: Johanna Blancard de Léry

Silver sculpture (800), featuring a beetle. Length: 8 cm Weight: 70 g

Felix BRACQUEMOND ( Paris, 1833 - Sèvres, 1914) Manufacture Haviland & C° Part of a "Flowers and Ribbons" dinner service - model created in 1879 Part of a "Fleurs" dinner service and ribbons" - model created in 1879 Composed of fifty-three cream-ground earthenware with enameled decoration and scalloped edges: - thirty-six dinner plates, - twelve soup plates, - an almond-shaped dish, - a large salad bowl, - a large deep dish, - a bowl on a low foot, - a cut on a high base, - a sauceboat Published from 1879 Monogrammed "B" in the decor for Félix Bracquemond Marked "Creil Montereau B et Cie" and "Haviland et Cie. Paris" on reverse Various sizes (Chipped and missing) A part of an earthenware "à Fleurs et rubans" service by Félix Bracquemond for Manufacture Haviland & Cº including fifty-three pieces - model created in 1879 Bibliography : Bouillon, Jean-Paul (dir.), cat. exp. Félix Bracquemond et les arts décoratifs. Du japonisme à l'Art nouveau (Limoges, Musée national Adrien Dubouché, April 5 - July 4, 2005, then in Selb-Plössberg, Deutsches Porzellanmusem, July 25 - October 25, 2005, then in Beauvais, Musée départemental de l'Oise, November 16, 2005 - February 13, 2006), p. 134 for our service. Felix BRACQUEMOND ( Paris, 1833 - Sèvres, 1914)

DOUAI 1768 Gilt silver olive spoon (later), filet pattern, engraved with two 19th-century DR Gothic letters topped by a marquis's crown. The spoon is pierced with foliage around a checkerboard engraved with flowers. The repercé is delimited by a heart-shaped cut-out specific to Maximilien Savary". The interior of the spoon is engraved with a stylized shell. Master goldsmith: Philippe-Joseph LEGRAIN, received in 1756. Weight: 101 g - length: 28.8 cm Literature: in Madame Nicole CARTIER's book "Les orfèvres de Douai", on page 287, there is an olive spoon from 1743 - 1744 by Maximilien SAVARY, with exactly the same pattern. This model was therefore adopted by LEGRAIN thirteen years after the original.

CHRISTOFLE Japanese-style silver-plated metal cutlery set including : - 17 table forks - 12 table spoons - 13 table knives - 12 fish forks and knives - 2 fish cutlery sets - 11 dessert forks - 13 small knives - 12 oyster forks - Ladle - Two sauce spoons - 2 dessert sets - Cheese knife - Serving shovel - Small cream spoon Contained in five cases Oxidation, wear, case accidents

PUIFORCAT Jean-Emile (1897-1945) Plain silver tea and coffee service, wooden handles and grips, lids with ML numerals, including teapot, coffee pot, covered sugar bowl and milk jug (scratches from use, slight indentation). Art Deco period Marked and signed Gross weight: 2495 g

Kim Khánh, Minh Mạng era (1820-1841). Gold Khánh with repoussé and chased decoration, on the rim two dragons facing each other in clouds facing a flaming star, on the obverse the characters MINH MẠNG NIEN TAO indicating the Minh Mạng era, on the reverse the formula PHUC NHU DONG HAI meaning "favorable like the East Sea". Hanging cord and purple tassel. 61 x 34 mm, gross weight: 9.50 g TTB to SUP The origin of Khánh taking the form of Gongs as a reward is uncertain, but the existence of these "Musical Stones" is attested under Minh Mạng as early as 1825. In his study published in the January 1914 Bulletin des Amis du Vieux Hué, M. Dumoutier mentions the representation of a Khánh on a plate dated 1825, among the objects of the literate Emperor. His successor Thiệu Trị (1841-1847) also featured Khánh in his Tiền series devoted to the same objects du lettré, and Jules Silvestre described in 1883 a Kim Khánh in the name of Thiệu Trị bearing the three characters: Droit, Diligent, Dévoué. While the earliest Kim Khánh appear to be simply adorned with scrolls and clouds, dragons are already present on the imperial Ngợc Khánh (in jade) of the Thiệu Trị era, and were later taken up again when the Kim Khánh were systematized on April 5, 1900. The hypothesis of a mint contemporary with Minh Mạng and that of a restitution in 1900 are therefore both plausible for this Khánh.

FRANCE 18th CENTURY Pair of wall-mounted candlesticks in silver-plated metal, molded with gadroons, complete with their bracket in the form of a console with three scrolls. Plate height: 6.5 cm, Depth: 14.5 cm Condition

PARIS 1765 - 1766 Set of nine silver brooches depicting swords. Master silversmith: Nicolas-Martin LANGLOIS, received in 1758 Weight: 128 g - length: 16.1 cm for eight, 18.7 cm for one

Set of a lorgnette and a leather case - case in the shape of a lorgnette, the lid topped with a polychrome coat of arms, the interior in green silk, Height: 8.3 cm - in tortoiseshell and varnished cardboard painted on a green background with foliage and indeterminate motifs, very poor condition Height: 7.7 cm - diameter: 5.7 cm

Manufacture de LONGCHAMP. Suite of six asparagus plates in barbotine earthenware with polychrome decoration. Cracks and chips.

Set of seven earthenware asparagus plates with polychrome decoration, some compartmentalized. Different models. Small chips.

Set of 3 glass and metal medicine jars. 16 cm (oxidation)

SAINT LOUIS Part of a crystal glass service including : Carafe in cut crystal, six stemmed glasses (white wine), six orangeade glasses

China, Kangxi period (1661-1722) Hollow dish in porcelain and green family enamels decorated with a lake city. Leaf mark on reverse Diameter: 27.5 cm (Chips on the edge of the wing) Expert: Johanna Blancard de Léry

PARIS 1776 - 1777 Pair of egg cups in plain silver, the gradient base enhanced with fillets, with a mobile cup, supported by four bands held by a circle. Master silversmith : Jacques FAMECHON, received in 1770 Weight: 66 g and 66 g - height: 6.2 cm

Tabak dish with ship design, Turkey, probably Kütahya, 19th century Siliceous ceramic dish with polychrome painted decoration on white slip under a transparent glaze, of a three-masted ship sailing on the waves and surrounded by tchi clouds floating in the sky, the marli decorated with waves and rocks. On the reverse, four blue-tinted spiral elements. D. 33 cm Scratches, cracks, several chips in glaze and paste, trace of scratching (sampling?) on reverse. While the iconography of the ship multiplies in 17th-century Ottoman ceramics from Iznik, several elements rule out such an attribution for this dish. The deep blue of the two central sails and the hull, the lavender blue of the sea, but also the spinach green of the fanciful floral frieze on the hull or the leaves surrounding the sailboat, and finally the brown hue of the manganese oxide are all colors that deviate from the usual chromatic range. In addition, the swell animating the sea, as well as the contours of the waves and rocks adorning the marl, are painted with a certain clumsiness that is found on the marl of the ewer-decorated dish Inv. n°217 from the Kıraç Foundation Collection of Istanbul's Pera Museum, attributed to Kütahya at the end of the 19th century. This same attribution was used for a dish very similar to ours sold at Christie's, London, on March 19, 2020, lot 192, and is tempting to give to this object. From the 18th century onwards, the factories of the town of Kütahya in western Turkey, already active in the fine Ottoman period, definitively took over Iznik production as the Sultanian workshops declined. While the influence of Iznik pieces is undeniable on Kütahya ceramics, the ship remains a rare subject for the workshops of this second center. Expert: Camille CELIER

VERSAILLES SECOND HALF OF THE 18th CENTURY Set of twelve entremets knives, silver pointed blades and twisted ivory handles. Hallmarks: maison commune de 1764 - 1781, charge et décharge pour les menus ouvrages de 1768 à 1781, maître coutelier: a man with a club. Gross weight: 370 g - length: 19.6 cm Condition: numerous cracks to the ivory CITES FR2403100024-K

early 20th century lyon Portable chapel in its case, engraved on the reverse of the holder: "OFFERT PAR DES AMIS L'ABBE JOSEPH BOUVET NANTUA 7 JUIN 1903" and of the chalice "J. BOUVET 7 JUIN 1903". It is composed of a gilt silver chalice and paten, and its cruets resting on a gilt bronze tray. All pieces are decorated with birds representing the Holy Spirit, except for the paten, engraved on the reverse with a cross framed by vines. Minerve hallmark Goldsmith : A. FAVIER NEVEUX in a rhombus and on a label : FABRIQUE D'ORFEVRERIE ET DE BRONZES D'EGLISE LYON Net weight: 556 g Chalice : height : 23 cm Paten : diameter : 13 cm Tray of cruets : length : 26.7 cm - width : 17 cm

SEVRES in the style of Suite of six plates after the Service des oiseaux d'Amérique du Sud, in porcelain with polychrome and gold decoration in the center of an exotic bird, diam 24.5 cm presence of a wax seal with coat of arms on the reverse of the 19th century

CHRISTOFLE silver-plated menagère LAOS model including : -12 large place settings -12 pieces of fish cutlery 12 small spoons -12 dessert forks and 6 dessert spoons -12 large knives -12 small knives -salad set, serving set, sauce spoon and pie server

Mithé ESPELT (1923-2020). Glazed ceramic mirror with cracked glass. Dimensions: 31.5 x 33 cm

PARIS SECOND HALF OF THE 19th CENTURY Set of 128 pieces of vermeil flatware for entremets, contained in four boxes numbered DB. Filet pattern without shoulder, applied numeral on the spatula: DB. 1st case: - 6 compote spoons, - 2 sugar spoons, Missing sugar tongs 2nd case: - 30 teaspoons 3rd case: - 30 forks and 30 spoons 4th case : - 30 mother-of-pearl-handled dessert knives Minerva hallmark Goldsmith : Pierre QUEILLE Net weight: 3769 g - gross weight of knives: 1234 g

SÈVRES - Pair of Boizot porcelain bowl trays, agate blue background, decorated on the border with a frieze of gold palmettes and in the center with a rosette with palmettes, edged with gold fillets. Small chips. Manufacture royale de Sèvres, 1838. Marks in blue with King Louis-Philippe's cipher dated 1838, marks in red "Château de St Cloud", gilder's marks Moyez. H. 4.5 x D. 23 cm. Provenance Service of King Louis-Philippe at the Château de Saint-Cloud. History Louis-Philippe's first order for one of his residences came relatively early: in April and June 1832, the Sèvres manufactory was asked to supply a 1036-piece service (including 300 dinner plates) for the Château de Saint-Cloud, despite the King's lack of interest in this residence. The choice of this palace is certainly explained by the fact that it had strangely lacked a service worthy of the royal table since Louis XVI's miniature, mozaic service. Indeed, Josephine took the brown-red service with flowers from Malmaison after Redouté (1805), Cardinal Fesch received the lapis-blue service with heads imitating the cameo initially intended for Saint-Cloud (1808) and Compiègne recovered the gold service with garlands of flowers initially intended for the Clodaldian residence (1809). This was the beginning of the interconnections between Compiègne and Saint-Cloud, as Louis-Philippe decided to deliver the same service with an agate-blue background, a frieze of palmettes printed in gold, and a rosette in the middle of the pieces likely to be used at Compiègne, as early as January 1833 (2218 pieces). Under the Restoration, the "capraire" service was used in both residences. This similar choice obliged the Maison du Roi, in a letter dated January 31, 1833, to ask the Manufacture to differentiate the destination of each piece by means of an "inscription underneath", which would in fact be a red stamp on the reverse, alongside the Manufacture's usual manufacturing and decorative marks. This decision, which was unique in the history of royal services in France, was applied to all of King Louis-Philippe's table services, with the exception of the Bals service and only the dessert services (ordered by the King as such, although all the royal table services were in fact starter and dessert services).

Imposing covered cup representing an ostrich with plumage of rare quality, oval base representing a rock on guilloche palm leaves, late 19th century work. English hallmarks with lion, b (1897) and F (English mark for imported silverware) and leopard's head; Probable origin Hanau in Germany, result on 27 September 2012 at Christie's at 32200 euros! . Weight: 1.82 kg Shipping unavailable Area: England Sizes: H 420MM X L 260 MM Condition: At first glance: good condition

PARIS 1774 - 1775 Hinged oval-shaped gold snuffbox decorated with guilloché waves in rectangular frames accompanied by oval medallions. Master goldsmith : Jean-Baptiste LEBRUN, received in 1771 Weight: 76 g - length: 6.3 cm - width: 4.5 cm - height: 2.6 cm Condition: gold wear on reverse side

François LEMBO (1930-2013). Circular gold and green enameled ceramic mirror. Signed on the back. Diameter: 20 cm

Set of two 19th century lorgnettes - in stingray, Height: 7.1 cm - diameter: 3.6 cm - Brass lorgnette with mother-of-pearl highlights, Deployed height: 8 cm - diameter: 3.4 cm

Triptych barber's mirror in metal and oiled paper. 21 x 15 cm (per leaf) (oxidation, wear to the tain, accidents to the hinges, stains)

Roger CAPRON (1922-2006) Glazed ceramic vase with ears. Signed Capron Vallauris on the bottom. Height: 26cm. Two chips on the neck.

ENGLAND SECOND HALF OF THE 18th CENTURY Gilded brass lorgnette case embellished with shagreen and three gilded flower motifs in the vertical direction, terminating in a bow. Two movable pins serve as lorgnette holes. Inside the case are: a pair of scissors, a silver ear-pick toothpick, metal nail file tweezers, a folding pocketknife with gold-plated tortoiseshell handle, a pencil with brass tip and a double ball table (one ivory plate missing - one part attached). Length: 10.5 cm Condition: one element missing from the case and a knot in the outer decoration, cracks on the tortoiseshell handle of the folding knife - good condition of the shagreen.

LES SABLES D'OLONNE LATE XVIIth CENTURY Silver spoon, rat tail model, engraved AT on the spatula. Master goldsmith : GL, master abonné, not listed Weight : 81 g - length : 20,4 cm

Glass liqueur set, including bottle and 6 goblets. 5-16 cm

DIXIT ARTE: RICHARD ORLINSKI (1966) x FRANCOIS POMPON (1855-1933) Clash of the Titans, after François Pompon, 2020. White resin sculpture. Edition: Dixit Arte. In original box. Dimensions: 11.5 x 21 cm Minor marks on two legs.

TOULOUSE 1788 Pair of silver candlesticks and bobèches. The hexagonal base with alternating sized sides is followed by a row of laurels and crosses on the top of the spigot and the rim of the candleholders. The six-sided shaft is embellished with acanthus leaves and falling garlands extending the bowl, which is underlined by three geometrical motifs, one of which is engraved with a later interlaced numeral. Master goldsmith : Louis II DULAURIER, received in 1765 Weight : 1353 g - height without bobèches : 28 cm - base diameter : 15 cm

PARTIE DE SERVICE DE TABLE en faience à décor floral imprimé en camaieu bleu modèle KENSINGTON en faience wedgwood comprenant : - PART OF A TABLE SERVICE in earthenware with floral decoration printed in blue camaieu, KENSINGTON model in wedgwood earthenware including : -An oval dish 35.5 x 29 cm -A circular deep dish D: 30.5 cm -Eleven plates D: 26 cm -Seven dessert plates D: 20.5 cm -One saucer D: 18 cm (wear)

Gilded brass lorgnette with engraved silvered decoration of figures in reserves - traces of niello work Height: 7.4 cm - diameter: 4.6 cm

TOULOUSE 1764 Silver stew spoon, uniplat model, beautifully engraved with a coat of arms surmounted by a comtal crown. The original spoon attachment is extended by two rows of spaced fillets. Master goldsmith : Antoine MOYSSET, received in 1725 Weight: 203 g - length: 31 cm Hallmarks: Toulouse charge and discharge 1760 - 1768, letter I

Paire de saucières en argent de style Louis XVI Travail de la Maison Delheid à Bruxelles Longueur : 23 cm Poids : 1150 g

Lot of two 19th century lorgnettes - GODOT Quai de l'Horloge n°63 in Paris, lorgnette de jalousie (broken glass), Height: 6.3 cm - diameter: 3.7 cm - with one brass print enhanced with gold stars on a black lacquered background, Height: 8.3 cm - diameter: 4.1 cm