Watercolours

Marcel Louis BAUGNIET (1896-1995) Composition abstraite, 1977 Gouache, aquarelle et encre brune sur papier Signé et daté en bas à droite : "M.L BAUGNIET 1977" 27 x 21 cm à vue (petites taches)

Léon Spilliaert (1881-1946) Lakescape at dawn from the Marie-Henriette park pond in Ostend. Rare watercolor signed lower right One of a series of compositions on the same subject. Framed under glass This work may be included in the artist's catalog raisonné by Madame Anne Adriaens Pannier. Circa 1930 Sight size: H: 23.5; W: 30 cm

Maurice Utrillo (1883 Paris - 1955 Dax) "Rue Saint-Rustique sous la neige" (Rue Saint-Rustique in the snow). Original title View of Paris painted around 1933/34 with a view of the street in Montmartre and the Basilique du Sacré-Coeur glowing white in the background. From around 1912, Utrillo repeatedly painted the picturesque alley located on the highest point of the Montmartre hill in different versions and techniques from varying angles in landscape and portrait format. The historic, oldest street in Paris, with its cobblestones and small houses leading up to Sacré-Coeur, offered him a fascinating wealth of motifs. Utrillo himself was born in the artists' quarter of Montmartre as the son of Suzanne Valadon, who was only 18 years old, a muse, model and later an important painter in her own right. He experienced psychological crises as a teenager and fell prey to alcohol - an addiction that haunted him throughout his life. Valadon, Edgar Degas and the painter Alphonse Quizet encouraged him to paint himself, and art also became a therapy for him against his own demons and alcohol. In the years 1910 to 1914, he found his own individual, expressive-realistic style beyond all artistic trends. His main subjects were Paris and in particular Montmartre, where he lived and worked. Unlike many of his fellow artists, Utrillo had never completed a classical training in painting. Yet it was precisely this that enabled him, as a self-taught artist, to depict the streets, urban canyons and squares with an originally raw power, often with only a few, but nevertheless virtuosically confident brushstrokes. These form a structuring, formally strict framework, whereby Utrillo's creative phases can be distinguished from one another less by their painting style than by their different coloring. Even before the I. Utrillo was represented in important exhibitions of modern art in Paris and Germany even before the First World War, including at Hans Goltz's "Neue Kunst" gallery in Munich in 1913/14. This triumphal march continued in the 1920s, Utrillo achieved increasing fame and popularity among collectors and critics, which continues to this day, so that in 1926 he finally had "Paris at his feet", as Oskar Schürer wrote in his article on Utrillo in the authoritative magazine "Die Kunst für Alle" (with illustration of a painting "Strasse St. Rustique"). Gouache/cardboard. Signed a. with location Montmartre. 48 cm x 62 cm. Frame. Wvz. Pétridès AG 612. Hélène Bruneau, Association Maurice Utrillo in Pierrefitte sur Seine, confirmed the authenticity of the work in an email on 23.12.2022. Provenance: Auction Grisebach, Berlin, 28.11.1997, lot 55. Gouache on cardboard. Signed with location Montmartre. Mentioned in the catalogue raisonné (Pétrides no. AG 612). The authenticity was confirmed in an email by Hélène Bruneau, Association Maurice Utrillo on the 23rd December 2022.

Francis PICABIA (1879-1953). Machine, circa 1916-1917. Ink and watercolor on paper signed lower left (paper insolate), exhibition label on back "Nîmes été 1986", Galerie Estève stamp (tears and scratches). Sight: Height : 27.5 cm - Width : 39 cm Exhibitions : - Salas Pablo Ruiz Picasso del Ministerio de Cultura, Madrid. Francis Picabia, Exposición antológica, January 29-March 31, 1985 ; - Center Cultural de la Caixa de Pensions, Barcelona, April 15-May 26, 1985; - Musée des Beaux-Arts de Nîmes. Francis Picabia, July 11-September 30, 1986. Bibliography : - Francis Picabia, catalog raisonné. Volume II. 1915-1927. William A. Camfield, Beverley Calté, Candace Clements, 2016, number 526. Provenance: Private collection since 1985. Appraisal by BRUN-PERAZZONE, Mr Irénée BRUN - 01 42 60 45 45 - France. brun.perazzone@gmail.com

Maxime MAUFRA (1861-1918) "Village by the sea, December 1894", Watercolour gouache signed and dated lower right, 23 x 30 cm

Louis VAN LINT (1909-1986) Sans titre, circa 1980 Aquarelle sur trait de fusain sur papier Signé en bas à gauche: "van lint" 39,4 x 32 cm à vue Cette oeuvre est répertoriée aucatalogue raisonné de l’oeuvre de Van Lint, réalisé par leLouis Van Lint Institute, sous le n°LVLW0670. Nous remercions Lionel Colin-Van Lint pour les informations qu'il nous a aimablement transmises.

Charles LAPICQUE (1898-1988) "Paysage de Castille", Watercolour signed upper left, 35 x 47.5 cm

Jules Emile ZINGG (1882-1942) "Sur la plage", Watercolour signed lower left, 29.5 x 46 cm

Mathurin MEHEUT (1882-1958), "Barques au port de Douarnenez", Gouache signed lower right, 32 x 29 cm

André LHOTE 1885-1962 - VIEW OF AUPS, circa 1925-30 Watercolor and gouache signed lower left 36 x 54 cm Bibliography : Taken place in the Archives of Madame Bermann Martin for the catalog raisonné

Silvin BRONKART(1915-1967) Sans titre, 1951 Fusain, crayon, aquarelle et gouache sur papier Signé et daté en bas à droite: "Silvin 51" 42 x 33 cm à vue

Adrien Jean LE MAYEUR DE MERPRES (1880-1958) Vues de Venise et de l'Orient Suite de quatre dessins à la gouache et fusain sur papier Chacun signé: "J. Le Mayeur" 14 x 21 cm à vue pour chacun

Mathurin MEHEUT (1882-1958), "Au large de St Guénolé", Gouache signed and monogrammed lower right, located and titled upper right, signed with dispatch upper left, 25 x 43 cm

Maurice MILLIERE (1871-1946) La parisienne Gouache et crayon sur papier Probablement un projet de couverture pour le magazine français "La Vie Parisienne" Signé et dédicacé en bas à droite: "A mon excellente et vieille amie Gaby - Maurice Millière" 51 x 41 cm pour la feuille

Elisée MACLET (1881-1962). The Canal. Watercolor signed and titled lower left. Sight: Height : 20 cm - Width : 30 cm

Marie BRACQUEMOND (Landunvez, 1840 - Sèvres, 1916) Study for Poetry, Muse of the Arts Charcoal, shading and white gouache highlights (Paper lined on fine cardboard) Frameless Study for Poetry, muse of the arts, charcoal, stumping and white gouache highlights, by Marie Bracquemond 26.57 × 18.70 in. H : 67.5 cm, W : 47.5 cm Bibliography : Isaacson, Joël (dir.), cat. exp. The Crisis of Impressionism 1878-1882, The University of Michigan Museum of Art, November 1979 - January 1980, University of Michigan ed., 1979, repr. p. 60 Pfeiffer, Ingrid (dir.), cat. exp. Women impressionists. Berthe Morisot, Mary Cassatt, Eva Gonzales, Marie Bracquemond (Frankfurt, Schirn Kunsthalle Frankfurt, February 22 - June 1, 2008, San Francisco, Fine Arts Museums of San Francisco, June 21 - September 21, 2008), repr. p. 235 Exhibitions : Works by Marie Bracquemond, preface by Gustave Geffroy, Paris, Galerie Bernheim-jeune, May 19-31, 1919, cat. no. 128: "La Poésie". Marie BRACQUEMOND (Landunvez, 1840 - Sèvres, 1916) H : 67.5 cm, W : 47.5 cm

Raoul DUFY 1877-1953 - L'ESCARPOLETTE Gouache monogrammed lower right (middle fold) 55 x 46 cm Provenance : Sale by Mes Guy Loudmer-Hervé Poulain, Palais d'Orsay, Paris, May 22, 1977, no. 96 Exhibition: Raoul Dufy, Musée d'Art Moderne, Paris, April 27 - May 22, 1977, n°96.

Félix BRACQUEMOND (Paris, 1833 - Sèvres, 1914) Couple embracing in a seascape Watercolor and gouache highlights on pencil line Unframed Embracing couple in a seascape, watercolour and gouache highlights over pencil lines, by Félix Bracquemond 10.62 × 14.57 in. H : 27.0 cm, W : 37.0 cm Félix BRACQUEMOND (Paris, 1833 - Sèvres, 1914) H : 27.0 cm, W : 37.0 cm

Paul DAXHELET. - "Scene in a café. 1932" Mixed media (watercolor and gouache) on paper, 28 x 32. Signed and dated lower right. Under glass. Gilt frame.

Lucien SIMON (1861-1945) "Marché aux bestiaux", Watercolor gouache signed lower left, 41 x 63 cm

Mathurin MEHEUT (1882-1958), "Paysage panoramique, Cap Sizun", Watercolor signed lower left, 19 x 190 cm

Marie BRACQUEMOND (Landunvez, 1840 - Sèvres, 1916) Church interior Watercolor gouache over pencil lines Church interior, watercolour gouache over pencil lines, by Marie Bracquemond 17.71 × 12.59 in. Frameless H: 45.0 cm, W: 32.0 cm Marie BRACQUEMOND (Landunvez, 1840 - Sèvres, 1916) H : 45.0 cm, W : 32.0 cm

"Gustave ASSIRE - Drawings 1870-1941 A very rare set of 54 original signed watercolors by Gustave Assire. In the field of book illustration, we know of this artist's fine etchings illustrating Mac Orlan's book Images secrètes de Paris, published by Kieffer in 1930. The artist, a pupil of Gustave Moreau, Benjamin Constant and Cormon in particular, is the author of watercolors and paintings of young cabaret girls, prostitutes and others. Modern wine-red half-chagrin folder and matching bordered slipcase, covering a paper cover containing the entire set laminated on pearly Japon paper pages, in in-4 format. Excellent condition. There are 39 watercolors of women (elegantes, filles de la nuit, etc.), 3 of men, 2 couples of dancers, 4 amusing views of the July 14, 1912 military parade, 6 landscape views, some located (in Jongkind, Amsterdam, Carpentras, Canal St Martin...)".

Max JACOB (1876-1944) "Chapelle à Saint-Nic, Bretagne, [19]33", Gouache on paper signed and dated lower right, 24 x 25 cm (à vue) PROVENANCE: Gift of the artist to his friend René Villard, then by descent.

Mathurin MEHEUT (1882-1958), "Lavoir route de Santec, 1912", Gouache monogrammed, titled, dated, with studio stamp lower left, 29 x 45 cm PROVENANCE : Thierry-Lannon Brest sale, December 19, 1993

Henri de SAINT-DELIS (1878-1949). Walker on the port quay. Watercolor signed lower left (foxing). Sight: Height : 23 cm - Width : 31 cm

Brigitte CLOSSET. - "Abstraction" Watercolor, 18 x 26. Monogrammed lower right in pencil. Under glass. Wood frame. Dedicated on the back of the frame "Amicalement, Brigitte".

Félix BRACQUEMOND (Paris, 1833 - Sèvres, 1914) Study of polychrome birds Watercolor, pen and brown ink, gouache highlights Unframed Study of polychrome birds, watercolour, pen and brown ink, gouache highlights, by Félix Bracquemond 8.07 × 12.79 in. H : 20.5 cm, W : 32.5 cm Félix BRACQUEMOND (Paris, 1833 - Sèvres, 1914) H : 20.5 cm, W : 32.5 cm

Léon PHILIPPET. - "Woman with tambourine. Rome" Watercolor, 32 x 20. Signed lower left. Under glass and passe-partout. Molded, gilded frame (damaged). Rousseurs.

Johan-Barthold JONGKIND 1819-1891 - ABANDONED ROAD, 1884 Double-sided watercolor signed lower left, dedicated lower right 13 x 20.5 cm VILLAGE, 1884 Watercolor signed lower left and dedicated lower right 12 x 21 cm

Raphaël DELORME (1885-1962) Amazones. Watercolor signed lower left. 21 x 19 cm à vue

Marcel DE LINCÉ. - "Grisaille. 1930" Watercolor on paper, 27 x 38. Signed and dated upper left. Under glass. Grey frame.

Charles Fernand De CONDAMY c.1855-1913 - THE HUNTER Watercolor and pencil signed lower right Sight: 28.5 x 44 cm

Yves BRAYER 1907-1990 - MEXICO: STAIRCASE STREET IN TAXCO, 1963 Watercolour signed lower left 40 x 53 cm Bibliography: in the Brayer archives under no. C40139

Bruno CAPACCI(1906-1996) Deux personnages surréalistes Aquarelle sur trait de plume Signé en bas à gauche : "Bruno Capacci" 25 x 20 cm à vue

Félix BRACQUEMOND (Paris, 1833 - Sèvres, 1914) Femme se baignant un soir de pleine lune, plate design Watercolor gouache and gold highlights on pencil lines Woman bathing on the evening of a full moon, plate project, watercolour with gouache and gold highlights over pencil lines, by Félix Bracquemond 8.66 × 11.42 in. H : 22.0 cm, W : 29.0 cm Félix BRACQUEMOND (Paris, 1833 - Sèvres, 1914) H : 22.0 cm, W : 29.0 cm

Henri de SAINT-DELIS (1878-1949). Walkers and figures seated in the field. Watercolor signed lower right. Sight: Height. : 26.5 cm - Width : 37 cm

Michel François PRÉAULX (act.1796-1827). Caïque on the Bosphorus. Gouache on paper. Signed and dated May 1814 lower left. Dim. 21x32.5 cm. Rubbing.

Armily VANDERVAEL. - "Boat. 1927" Watercolor on paper, 35 x 45. Signed and dated lower right. Under glass and passe-partout. Brown frame.

Attribué à Jules NOËL - Attributed to Jules NOËL Nancy, 1810 - 1881, Mustapha View of Le Havre harbor Pen and watercolor Localized and dated at bottom Le Havre 1868 12.3 x 17.4 cm - 4 13/16 x 6 7/8 (Sold framed)

Werner,C.F.H. - Le Nil. Vingt-quatre aquarelles d'après nature. Text par A.-E.Brehm et J.Dumichien. Paris, A. Levy 1882. fol. With lithogr. map and 24 color lithogr. mounts. Plates in color. 2 pp., 97 pp., 1 leaf. Olwd. with gilt and black embossing and gilt headpieces (some wear and rubbing, back cover slightly browned and with small cover loss). Thieme-Becker XXXV, 404 - One of the most splendid works of views of Egypt, the Nile River, the cities, monuments, landscapes and the folk life of the Egyptians by the architecture and landscape painter Carl Friedrich Heinrich Werner (1808-1894), "grandson on his mother's side of the actress Christiane Becker née Neumann celebrated by Goethe as 'Euphrosyne'", who studied in Leipzig, Munich and Italy. His "watercolors are hard and unpainterly, but very faithful in the reproduction of all details, therefore of significant topographical, ethnographical and architectural-historical value" (Thieme-Becker). - Mostly loosened, some marginal wear, somewhat browned and stained in places.

Félix BRACQUEMOND (Paris, 1833 - Sèvres, 1914) Family at the aquarium Watercolor, charcoal and white gouache highlights, pencil line Unframed Family at the aquarium, watercolour, charcoal and white gouache highlights over pencil lines, by Félix Bracquemond 13.18 × 19.68 in. H : 33.5 cm, W : 50.0 cm Félix BRACQUEMOND (Paris, 1833 - Sèvres, 1914) H : 33.5 cm, W : 50.0 cm

Félix BRACQUEMOND (Paris, 1833 - Sèvres, 1914) Study for Baron Vitta's screen Watercolor gouache and pastel highlights on pencil lines (irregular edges) Frameless Study for the screen of Baron Vitta, watercolour with gouache and pastel highlights over pencil lines, by Félix Bracquemond 14.17 × 19.29 in. H : 36.0 cm, W : 49.0 cm Félix BRACQUEMOND (Paris, 1833 - Sèvres, 1914) H : 36.0 cm, W : 49.0 cm

Wilhelm Kaufmann (1875 - 1975) , Viennese artist, here: probably view of Asissi, gouacheon paper, signed, approx. 45 x 60 cm, PP., under glass, frame: 75 x 95 cm, minor signs ofuse

École française du XIXe siècle - French school of the 19th century View of London Black stone and watercolor Signed lower left Daubigny 26 x 33 cm - 10 1/4 x 13 in. PROVENANCE Lyon private collection. (Sold unframed)

Rik SLABBINCK(1914-1991) Les 12 mois, 1972 Portfolio comprenant 12 lithographies sur Japon nacré et un dessin original à l'encre de Chine et gouache sur papier fort signé en bas à droite: "Slabbinck" Exemplaire n°9 signé par l'artiste, d'une édition à 12 exemplaires sur Japon nacré Jean-Robert Delahaut Éditeur, Paris-Bruxelles Textes d'Émile Verhaeren Dans son emboitage toilé vert 19 x 12 cm pour le dessin original 40,5 x 31 cm pour l'emboitage

Gilbert GALLAND (1870-1956), The Bay of Algiers, Watercolor on paper, signed and located 45 x 55 cm

Bernard GANTNER (1928-2018) attributed to Winter landscape Gouache 35 x 50 cm view

GEN PAUL (1895-1975) "Les cavaliers" Gouache and watercolor signed lower left 49 x 64 cm ***** Bidding implies acceptance of our conditions of sale, so please refer to **** for shipping information.

Médard VERBURGH(1886-c.1957) Bouquet et Carriole tirée par un âne Ensemble de deux aquarelles sur papier (l'une sur trait de fusain) Chacune signée : "m Verburgh" 44,5 x 36 cm à vue 26 x 34,5 cm à vue