Impressionist and modern paintings

Demeter Haralamb CHIPARUS (1886 - 1947) - Nude with arms raised Oil on canvas 65 x 46.5 cm Signed lower right "D.H.Chiparus". Provenance: Private collection Bibliography : Alberto Shayo: "Chiparus, Master of Art Deco", ACC Art Books editions, 2019, model reproduced and referenced page 313 number 241.

Joseph CZAPSKI (Prague 1896 - Maisons Laffitte 1993) - Faust at the Paris Opera Realized in 1956 Oil on canvas 80 x 66 cm Signed and dated lower right "J.CZAPSKI.56". Provenance: Private collection, acquired from the artist in the 1980s. Jozef Czapski was a Polish painter, writer, intellectual and art critic. Born in Prague in 1896, he grew up in Poland in the aristocratic Hutten-Czapski family. In 1915, he left to study law at the University of St. Petersburg. It was at this time that he began writing his diary. After the Bolshevik revolution, he enlisted in the Polish army, serving unarmed in a pacifist way. In 1921, Czapski enrolled at the Academy of Fine Arts in Warsaw, then in Krakow at Józef Pankiewicz's studio. In 1923, together with other students, he founded the "Paris Committee" "Komitet Paryski" (K.P.), which turned away from Polish academic painting and aimed to reach Paris to pursue artistic training. It was in 1924 that the painter left for Paris with the other "Kapist" students. Jozef Czapski met Daniel Halévy, André Malraux, François Mauriac and pianist Misia Sert, who became a patron of the Kapist group and a key to the Parisian avant-garde. In 1932, Czapski returned to Poland. In 1939, he was imprisoned in three successive Soviet camps. In 1941, he fought against Nazism in Anders' Polish army. After the war, he settled permanently in the Paris suburbs of Maisons-Laffitte, then Mesnil-le-Roi. He continued to take a stand against totalitarianism, writing for the Polish magazine Kultura, published in France. His early paintings were destroyed during the war, and he did not resume painting until 1948. In 1992, he was appointed Honorary Professor at the Krakow Academy of Fine Arts. Czapski ended his life in exile in Paris. Czapski was influenced in particular by the works of Cézanne and Bonnard, but also by Soutine and Nicolas de Stäel. He painted many scenes of Parisian life. Theaters, cafés, restaurants and the opera are recurrent motifs in the artist's work. In addition to Paris, he also depicts French landscapes and seashores. The artist also portrays singers, actors, politicians and writers. His style is profoundly modern, with a humanist outlook on life. Czapski exhibited for the first time in 1930, in France with the Kapistes group at Galerie Zak in Paris. He subsequently featured prominently in the Polish pavilion at the Paris (1937) and New York (1939) World Fairs. In 1990, the Musée Jenisch in Vevey, Switzerland, organized a retrospective of the painter's works. E.V

Paul STRECKER (Mayence 1900 – Berlin 1950) - The naked couple Oil on canvas 81 x 100 cm Signed lower left "Strecker". On the back, on the stretcher, the label of Chantal Editions. We would like to thank Mr. Gregor Wedekind for the information he kindly provided. This work is listed under number WV-No.76 in the catalog raisonné prepared by Mr. Udo Braun in 1989. This work will be included in the catalog raisonné currently being prepared by the Paul Strecker Foundation. This work formerly belonged to Jeanne Philibert (Limoux 1898 - Rueil-la-Gadelière 1986), a French writer and editor. In her youth, she corresponded extensively with the poet Frédéric Mistral, who affectionately called her "Magali". Under this pseudonym, she met with success in 1927 with her book "Le Jardin enchanté", awarded the 1st Prix Max du Veuzit. . During the Occupation, she took refuge in Toulouse and her publishing house (Editions Chantal) helped print documents for the Resistance. In 1947, she moved to Rueil-la-Gadelière, near the painter Maurice de Vlaminck, with whom she became close friends. In 1954, she was awarded the French Resistance medal. Provenance : Former collection of the novelist Jeanne Philibert dite Magali (Édition Chantal) Paul Strecker (born Hermann Strecker) was born in Mainz on August 13, 1898. He was the youngest of five children born to Elisabeth and Ludwig Strecker. From the age of 12, he took drawing and painting lessons. He was also interested in literature, music and theater. In 1915, he graduated from the Grand Ducal Gymnasium (now Rabanus-Maurus-Gymnasium) in Mainz. In 1918, he announced to his family that he did not want to join his father's company, the music publisher B. Schott's Söhne, but wanted to become a painter. At the end of 1918, he moved to Munich, where he attended the private painting school of Moritz Heymann and Heinrich Knirr for a year. In August 1920, he obtained a place at the Academy of Fine Arts. At the instigation of Alfred Flechtheim, he moved to Berlin in April 1922. The gallery owner assured him of his support, and Strecker's works were soon exhibited by Cassirer and Flechtheim. Between 1923 and September 1924, Strecker made two study trips, the first to Italy and the second to Sanary-sur-Mer in France. In September 1924, Paul Strecker settled in Paris, the center of his life for twenty years. He took part in the Salon des Indépendants, the Salon des Tuileries and the Salon d'Automne. His travels took him to Italy, Spain, Switzerland, Holland and regularly to Germany. In 1929, the Flechtheim gallery in Berlin and Düsseldorf presented for the first time a large collection of 24 of his works. During a stay in Mainz in 1932, Strecker exhibited 18 works at the Kurfürstliches Schloss castle. In Paris, Strecker frequented Christian Bérard's circle, and met Jean Cocteau, Eugène Berman, Pavel Tchelitchev, Julien Green, Céline, Suzanne Valadon, Maurice Utrillo, Kees van Dongen, Jules Pascin and Pablo Picasso. In 1933, Strecker had his first solo exhibition in Paris, at Jean Bonjean's gallery, where Dior was his initial commercial partner. In 1934, art critic Waldemar George classified Strecker as a neo-romantic or neo-humanist. In 1937, this classification earned him an exhibition of his work at Julien Levy's gallery in New York. In April 1939, seventeen of his paintings were exhibited at the Petit Palais (1). The work presented here is a masterpiece from his Paris period, very close to the pictorial universe of his friend Pavel Tchelitchew. It depicts a nude couple on a plank floor. In www.paul-strecker.org (1) Translation from www.paul-strecker.org

Milivoy UZELAC (Mostar 1897- Paris 1977) - The fruit-bearers Oil on isorel 53.5 x 39 cm Signed lower left "Uzelac". Croatian-born painter, draftsman, poster artist and illustrator Milivoy Uzelac was a pioneer of modern art. He first took classes with Professor Oton Ivekovic at the Academy of Fine Arts in Zagreb, but dropped out a year later, judging them too academic. From 1915 to 1923, he worked in Prague and Zagreb in an Expressionist style. With the young Zagreb Expressionists (Vilko Gecan, Marijan Trepse and Vladimir Varlaj), he took part in the 7th Spring Salon; they became known as the Group of Four. Uzelac immersed himself in the work of Manet, Cézanne, Gauguin, the Fauves, Picasso, Braque and the Nabis. The Czech avant-garde, led by artists such as Othon Coubine, Emil Filla and German Expressionists like Kirchner and Schmidt-Rottluff, had a strong influence on his artistic orientation. Milivoy Uzelac first travelled to Paris in 1921, living in the Montparnasse district. His work took on neo-Cubist forms, influenced by the work of André Lhote, whose Academy was located near Montparnasse. In 1923, Uzelac moved to the suburb of Malakoff and received numerous commissions. He exhibited at the Salon d'Automne until 1944 and at the Salon des Indépendants until 1940. He led an intense life, working during the day and maintaining a dense social life at night. From the 1930s onwards, Uzelac began to visit the South of France frequently, and often produced variations on the same motif. He was particularly fond of subjects in which the sea played a central role. He is known for his numerous representations of bathers, seascapes and water sports scenes. E.V

Demeter Haralamb CHIPARUS (1886 - 1947) - Mountain Village Oil on canvas 65 x 92 cm Signed lower right "D.H.Chiparus". Provenance: Private collection Bibliography : Alberto Shayo: "Chiparus, Master of Art Deco", ACC Art Books éditions, 2019, model reproduced and referenced on page 320.

Demeter Haralamb CHIPARUS (1886 - 1947) - Millstones, light effects Oil on canvas 65 x 81 cm Signed lower right "D.H.Chiparus". Provenance: Private collection Bibliography : Alberto Shayo: "Chiparus, Master of Art Deco", ACC Art Books éditions, 2019, model reproduced and referenced page 318 number 251. Demetre Chiparus (1886-1947) was born in Dorohoi, Romania. In 1909, he moved to Italy to follow the teachings of Raffaello Romanelli. Three years later, in 1912, he moved to Paris to perfect his art at the École des Beaux-Arts, under the tutelage of Antonin Mercie and Jean Boucher. Chiparus is best known for his chryselephantine sculptures of exotic dancers mounted on pedestals of ribboned onyx or portor marble. His participation in the 1914 Salon earned him an honorable medal. After the war, he opened his own studio and exhibited regularly at art fairs. Most of his work was created between 1914 and 1933. In the 1920s, Demetre Chiparus drew his inspiration for new sculptures from Egyptian archaeological discoveries, notably the famous tomb of Tutankhamen. His work was also influenced by Russian ballet and French theater. This unique body of work reveals a lesser-known facet of Demetre Chiparus's art: his production of painted works. He distinguished himself as a painter of landscapes, still lifes, nudes and portraitists. Color and the translation of light are of particular interest to the artist. In particular, he experimented with knife painting techniques.

Léopold SURVAGE (Moscou 1879 - Paris 1968) - The city Realized in 1920 Oil on canvas 69 x 30 cm Signed lower right "Survage". On the back, on the canvas, French customs stamp On the back, on the stretcher, several old labels We would like to thank Madame Anne-Marie Divieto for confirming the authenticity of this work. Provenance Sale, Artcurial Briest - Le Fur - Poulain - F.Tajan, Paris, April 2, 2007, lot 20. Private collection, Switzerland. Private collection, Paris. Exhibition: Paris, Galerie Zlotowski, 'Léopold Survage 1879-1968', October-November 2003, p.33, no. 28

Alice HALICKA (Cracovie 1895 - Paris 1975) - Cubist houses in Brittany Circa 1930 Oil on canvas 46 x 38 cm Signed lower left "Halicka". On the back, on the stretcher, the old label "A83".

Elvira GIBLESCU BIBESCU (1897- ?) - Cubist still life Made in 1926 Oil on canvas 57 x 57 cm Signed and dated upper left "El. Giblescu 1926" Elvira Giblescu Bibescu was a painter born into an important Romanian family. Cula Izvoranu-Geblescu, one of the most important fortified houses in southern Romania, belonged to Elvira Bibescu. Elvira Giblescu Bibescu moved to Paris and studied at the Académie André Lhote, 18 rue d'Odessa. In 1926, the Académie André Lhote held an exhibition (1st group) featuring, among others, Elvire Geblesco. E.V

Alexandre Sascha GARBELL (Riga 1903 - Paris 1970) - Still life with lemon and orange Oil on canvas 24 x 50 cm Signed lower right "Garbell". Label on back "n°359".

VICTOR TARDIEU (1870 - 1937) - Victor TARDIEU (1870 - 1937) Pair of market scenes in Vietnam (sketches) gouache and pastel on cardboard. Signed on the back Provenance : - Collection Jacques Got, director of the Banque de l'Indochine - Private collection Brussels framed H: 19 cm W: 25 cm

Teofil Antiar KWIATKOWSKI (1809 - 1891) - Boats at sea Produced in 1857 Oil on panel 20 x 37 cm Signed, dedicated and dated lower right "T. Kwiatkowski 1857 To his friend Manguin".

Vera PAGAVA (1907 Tbilissi - 1988 Ivry-sur-Seine) - Women in the bath / Reclining nude Made in 1942 Oil on canvas recto/verso 45.5 x 65 cm Signed and dated lower right "V. Pagava 1942". On the back, provenance "Mr Dana". "Among the most coherent contemporary works, the most revealing of a new world, we must now count those by women artists who have found in greater isolation and in the very excess of the difficulties to be overcome the courage of a more total commitment, of a fidelity to self that leads them to the end of their path. Vera Pagava's work is one of the most assertive in terms of style and absolute determination. She is in full accomplishment. In Première exposition Alex Maguy Vera Pagava, 23 novembre-décembre 1956, galerie de l'Élysée, 1974, preface Jacques Lassaigne. Provenance: Private collection

Anna MARK (b. 1928) Untitled, 2009 Gouache on paper, signed and dated lower right Height 31.5 cm; W 31.5 cm (per sheet) Provenance : - Galerie Vieille du Temple, October 2010 After studying painting at the Budapest School of Fine Arts, Anna Mark began her career as a stage designer. In 1956, she moved to Paris and devoted herself to her vocation: painting. She created abstract works, marked by geometric elements and architectural construction. She was also interested in other techniques: engraving, pen-and-ink drawing, marble powder relief, pastel and gouache. Anna Mark has published numerous theoretical works. Her work has been the subject of several solo exhibitions (Galerie La Forest Divonne in 2023, Maison Saint-Yves in 2024...). ATTENTION: STORAGE AND REMOVAL AS OUR OFFICE IS CURRENTLY UNDERGOING RENOVATIONS, ALL LOTS MUST BE COLLECTED FROM OUR FURNITURE REPOSITORY IN SAINT-OUEN, WITH YOUR PAID SLIP AND PROOF OF IDENTITY. Address: LTSE - 50, rue Ardoin 93400 Saint-Ouen - Bâtiment 556C. Open 8.30am-12.30pm - 2pm-5pm (Monday to Friday). GPS location: 48.9116440170972, 2.322533212510162. STORAGE FEES : - Free storage for all withdrawals during the first week, up to and including April 29. - 5 euros/day per lot from April 30 inclusive. SHIPPING : AUDAP & Associés DOES NOT ASSURE SHIPPING. Please contact the service provider of your choice: - The Packengers: hello@thepackengers.com - Mehdi Mentouri: mentouri.mehdi@gmail.com - LTSE : contact@ltse.fr

Georges LAPCHINE (Moscou 1885 -France 1951) - View from quai de Montebello, Paris Oil on cardboard 16.5 x 22 cm Signed lower right "Lapchine". This lot is presented as a temporary import.

Jules PASCIN (Vidin 1885-Paris 1930) - Study of three nudes or The siesta Watercolor and brown ink 21.5 x 29 cm on view Signed lower left "Pascin". A certificate from Messrs. Gérard and Abel Rambert dated June 12, 2001 will be given to the buyer. Provenance : Gérard and Abel Rambert Sale Christian Ribière et Marielle Tuloup-Pascal, Hôtel des ventes du Palais, May 12, 2021, lot 165

Henri EPSTEIN (Lodz 1892 - Auschwitz 1944) - A stroll along the harbour Watercolor on paper 43 x 57 cm on view Signed lower right "H.Esptein". Provenance: Private collection

Léopold SURVAGE (Moscou 1879 - Paris 1968) - Saint Jean house near Collioure Realized in 1924 Oil on canvas 46 x 55 cm Signed lower right "Survage 24". Provenance: Private collection

Henryk PIATKOWSKI (Kiev 1853 - Varsovie 1932) - Afternoon in the country Oil on panel 37 x 46 cm Signed lower left "H.Piatkowski". Provenance: Private collection

Gustave MIKLOS (Budapest 1888 - Oyonnax 1967) - Woman's head Made in 1939 Gouache on paper 22.5 x 12.5 cm Signed and dated lower left "G. Miklos 39". The Comité Gustave Miklos has kindly confirmed the authenticity of this work. A certificate can be obtained from the Comité Gustave Miklos on request and at the buyer's expense.

Claire TROTIGNON (born 1984) Trijonction Ouest Collage Height 99 cm; Width 68 cm Provenance : - Galerie Bernard Chauveau, March 2018 Claire Trotignon is a French artist who graduated from the École supérieure des Beaux-arts de Tours in 2008. Adept in the practice of collage, she uses fragments of old engravings that she assembles to create architectures and landscapes. Her work is regularly exhibited in France and abroad (Fondation Louis Vuitton, Venice Architecture Biennale, FIAC, Untitled Miami, Art Brussels). ATTENTION: STORAGE AND REMOVAL AS OUR OFFICE IS CURRENTLY UNDERGOING RENOVATIONS, ALL LOTS MUST BE COLLECTED FROM OUR FURNITURE REPOSITORY IN SAINT-OUEN, WITH YOUR PAID SLIP AND PROOF OF IDENTITY. Address: LTSE - 50, rue Ardoin 93400 Saint-Ouen - Bâtiment 556C. Open 8.30am-12.30pm - 2pm-5pm (Monday to Friday). GPS location: 48.9116440170972, 2.322533212510162. STORAGE FEES : - Free storage for all withdrawals during the first week, up to and including April 29. - 5 euros/day per lot from April 30 inclusive. SHIPPING : SHIPPING WILL NOT BE INSURED BY AUDAP & Associés. Please contact the service provider of your choice: - The Packengers: hello@thepackengers.com - Mehdi Mentouri: mentouri.mehdi@gmail.com - LTSE : contact@ltse.fr

Demeter Haralamb CHIPARUS (1886 - 1947) - Still life with bananas and fruit cups Oil on panel 46 x 55.5 cm Signed lower right "D.H.Chiparus". Provenance: Private collection Bibliography : Alberto Shayo: "Chiparus, Master of Art Deco", ACC Art Books éditions, 2019, model reproduced and referenced page 314 number 244.

Anna MARK (b. 1928) Untitled, 2007 Gouache, signed and dated lower right Height 65 cm; Width: 50 cm (per sheet) Provenance : - Galerie Vieille du Temple, February 2008 After studying painting at the Budapest School of Fine Arts, Anna Mark began her career as a stage designer. In 1956, she moved to Paris and devoted herself to her vocation: painting. She created abstract works, marked by geometric elements and architectural construction. She was also interested in other techniques: engraving, pen-and-ink drawing, marble powder relief, pastel and gouache. Anna Mark has published numerous theoretical works. Her work has been the subject of several solo exhibitions (Galerie La Forest Divonne in 2023, Maison Saint-Yves in 2024...). ATTENTION: STORAGE AND REMOVAL AS OUR OFFICE IS CURRENTLY UNDERGOING RENOVATIONS, ALL LOTS MUST BE COLLECTED FROM OUR FURNITURE REPOSITORY IN SAINT-OUEN, WITH YOUR PAID SLIP AND PROOF OF IDENTITY. Address: LTSE - 50, rue Ardoin 93400 Saint-Ouen - Bâtiment 556C. Open 8.30am-12.30pm - 2pm-5pm (Monday to Friday). GPS location: 48.9116440170972, 2.322533212510162. STORAGE FEES : - Free storage for all withdrawals during the first week, up to and including April 29. - 5 euros/day per lot from April 30 inclusive. SHIPPING : AUDAP & Associés DOES NOT ASSURE SHIPPING. Please contact the service provider of your choice: - The Packengers: hello@thepackengers.com - Mehdi Mentouri: mentouri.mehdi@gmail.com - LTSE : contact@ltse.fr

Léopold SURVAGE (Moscou 1879 - Paris 1968) - Character in the starry night Made in 1948 Mixed media on cardboard 11 x 9.5 cm Signed and dated lower right "Survage 48". Provenance: Private collection

Alexandre ISAILOFF (Constantinople 1869-France 1944) - Boats in Venice Oil on panel 15.8 x 24 cm Signed lower left "A. Isailoff".

Charles KVAPIL (Varnsdorf 1884 - Paris 1957) - Bouquet of anemones Oil on isorel 46 x 39 cm Signed lower left "Kvapil".

Jean POUGNY (Kuokkala 1892-Paris 1956) - Composition Oil on canvas mounted on panel 7.5 x 8.5 cm H: 7.5 x W: 8.5 cm

Bela CZOBEL (Budapest 1883-1976) - Woman's back Circa 1930 Oil on canvas 52 x 44 cm Signed lower left "Czobel". Béla Czóbel began his artistic career in 1902, in the painters' colony of Nagybanya in Transylvania. The following year, he studied at the Munich Academy of Fine Arts, where he met Jules Pascin, Rudolf Levy and Walter Bondy. Czóbel moved to Paris in 1903. He lived at the Hôtel du Danemark in Montparnasse and studied at the Académie Julian. He took part in the Fauve movement and exhibited alongside Derain, Vlaminck, Braque and Matisse at the Salon d'Automne in 1905. In 1909, he joined the avant-garde group known as the "Eight". The work shown here was painted in Paris around 1930. During this period, the artist concentrated on depicting female models with their backs in full frame. E.V

Léon KAMIR-KAUFMANN (Pavlov 1872 - Louveciennes 1933) - Landscape Oil on panel 32.5 x 41cm Signed lower right "Leon Kamir".

Elie Anatole PAVIL (Odessa 1873-Rabat 1944) - Landscape Oil on canvas 46 x 61 cm Signed lower left "E.A. Pavil".

Modern school "Animated landscape" Watercolor and gouache. 17 x 20 cm (view). Stuccoed and gilded wooden frame. 29 x 32 cm (some missing parts).

Léopold SURVAGE (Moscou 1879 - Paris 1968) - Theater set Created in 1937 Gouache on paper 12 x 19.5 cm Signed and dated lower right "Survage 37".

Nicolas TARKHOFF (Moscou 1871 - Orsay 1930) - Tents on the beach in Normandy Oil on cardboard mounted on canvas 28 x 36 cm Signed lower left "N.Tarkhoff". We thank the Tarkhoff committee for confirming the authenticity of this work. Provenance: Galerie Marcel Lenoir

FRANÇOIS SCHUITEN (NÉ EN 1956) - François SCHUITEN (b. 1956) La Voie Céleste, circa 1999 enameled plaque, signed, titled and numbered 108/230. Made by l'émaillerie belge, Brussels H : 60 cm W : 40 cm

Abraham WEINBAUM (Kamenez- Podolski 1890 - déporté à Sobibor en 1943) - Bookshops on Quai Montebello and Notre Dame de Paris Realized in 1934 Oil on canvas 54 x 65 cm Signed and dated lower right "A Wenbaum 1934".

Abraham MINTCHINE (Kiev 1898- paris 1931) - Bouquet on the property's terrace Watercolor, gouache and pencil on cardboard 42.5 x 27.5 cm Signed lower left "A Mintchine".

Roland TOPOR (Paris 1938 - 1997) - The fair Circa 1965-1970 Oil on canvas 81 x 100 cm Signed lower left "R Topor". On the back, on the stretcher, the studio address "11 rue Jacques...Tessier". This work is listed in the artist's archives.

Summer afternoon by the water oil on canvas, signed lower right framed H : 75 cm l : 60 cm

FRANÇOISE VAN KESSEL (1920 - 1995) - Françoise VAN KESSEL (1920 - 1995) Still life with lemons, 1960 oil on board, signed lower right, exhibition label on back Exhibition: 50e Salon international des beaux arts de Gand, 1960 H : 65 cm W : 54 cm

Demeter Haralamb CHIPARUS (1886 - 1947) - Trees in the Barbizon forest Oil on canvas 39 x 45 cm Signed lower left "D.H.Chiparus" and handwritten lower right "H.René? Provenance: Private collection Bibliography : Alberto Shayo: "Chiparus, Master of Art Deco", ACC Art Books éditions, 2019, model reproduced and referenced page 315 number 245.

Modern school, in the style of GAUGUIN. Tahitian women. Oil on canvas. 60 x 48 cm.

Zygmunt MENKES (Lvov 1896 - New-York 1986) - The clown Oil on canvas 65 x 54 cm Signed middle right "Menkes". On the back, countersigned "Menkés". Provenance : Former Niko Mazaraki collection Private Collection, Paris. Bibliography : E. Teriade, Menkes, Edition Le Triangle, 1932, reproduced. Zygmunt Menkes was born in Lviv (then in Poland) in 1896, and spent his childhood in what he himself described as a sad environment. His imagination and drawing skills enabled him to escape. In 1914, he began studies at the Art Institute in his hometown. In 1919, he enrolled at the Academy of Fine Arts in Krakow and left for Berlin three years later. He went to Paris in 1923, but after a year without financial resources, he was forced to return to Poland. He returned a few months later with the firm intention of staying. Zygmunt Menkes is one of the most original and talented painters of the École de Paris. He offers us a world full of gentleness and gaiety, cradled in lyricism. The artist plunges the viewer into the circus arena. Dressed in a brown-and-white striped costume, hat and earring, the clown stands on the circular stage with his back to the audience and his face in profile. The bird's-eye view and the central position of the subject on the canvas accentuate the theatrical character of the work. The lively brushstrokes and shades of red lend a warm, dynamic dimension to the work. Menkes brilliantly captures a moment suspended in time, the laughing performance of a clown whose raised hand captures all the attention. E.V

Georges Anatolievich de POGEDAIEFF (Yalta 1897 - Ménerbes 1971) - Reclining nude Oil on cardboard 50 x 99 cm Signed lower left "Georges A. de Pogédaïeff".

Alexandre ISAILOFF (Constantinople 1869-France 1944) - Palazzo Vendramin Calergi in Venice Oil on panel 15.7 x 25 cm Signed lower left "A. Isailoff".

Nicolas TARKHOFF (Moscou 1871 - Orsay 1930) - Flowers Mixed media on paper 65 x 50 cm Signed lower left "Nic.Tarkhoff". We thank the Tarkhoff committee for confirming the authenticity of this work. Provenance: Galerie Marcel Lenoir

Alex SMADJA (Algérie 1897 - Saint-Léger-en-Brie 1977) - Confession Oil on canvas 128 x 89 cm Signed lower right and lower left "a. Smadja". Signed, titled, localized and dated on the back on the canvas and the studio address "Alex Smadja confession 18 bd Strasbourg Paris X". On the back, on the stretcher, a label with handwritten words Exhibition: Salon des Indépendants, 1937 (2926)

Constantin TERECHKOVITCH (Moscou 1902 - Monaco 1978) - Families in Jacques Guenne's garden near Nantes Created in 1939 Watercolor on paper 47.5 x 62 cm Signed and dated lower right "C.Terechkovitch 39". Jacques Guenne (1896-1945), writer and art critic, was the founder of the magazine "L'Art Vivant". Provenance: Private collection

Esther CARP (Skierniewice 1897 – Créteil 1970) - Lily of the valley on the table Oil on canvas 46 x 38 cm Signed lower left "Karp".

Michel HAAS (1934-2019) Flower, 1998 Mixed media on paper, signed lower center Height 71 cm; Width: 56 cm (per sheet) Provenance : - Galerie Di Meo, January 1999 A French painter and sculptor, Michel Haas's pictorial work is close to fresco, reminiscent of the paintings of Renaissance artists in Florence. He also works with crumpled paper, charcoal and pastel. The everyday spectacle is one of his sources of inspiration. Serial repetition is also central to his work. Certain subjects, such as the embracing couple, recur over the years. He is represented in France (Galerie Jeanne Bucher, Di Méo, Univer and Cyril Guernieri) and abroad (Jan Krugier in Geneva and Holly Salomon in New York). The Musée Maillol in Paris devoted an exhibition to him in 1998. WARNING: STORAGE AND REMOVAL AS OUR OFFICE IS CURRENTLY UNDERGOING RENOVATIONS, ALL LOTS MUST BE COLLECTED FROM OUR FURNITURE REPOSITORY IN SAINT-OUEN, WITH YOUR PAID SLIP AND PROOF OF IDENTITY. Address: LTSE - 50, rue Ardoin 93400 Saint-Ouen - Bâtiment 556C. Open 8.30am-12.30pm - 2pm-5pm (Monday to Friday). GPS location: 48.9116440170972, 2.322533212510162. STORAGE FEES : - Free storage for all withdrawals during the first week, up to and including April 29. - 5 euros/day per lot from April 30 inclusive. SHIPPING : SHIPPING WILL NOT BE INSURED BY AUDAP & Associés. Please contact the service provider of your choice: - The Packengers: hello@thepackengers.com - Mehdi Mentouri: mentouri.mehdi@gmail.com - LTSE : contact@ltse.fr

Samson FLEXOR (Soroca 1907- Sao Paulo 1971) - Abstract composition Made in 1968 Ink on paper 17 x 23 cm on view Signed and dated lower right "Flexor 1968". After the Second World War, Samson Flexor settled in São, Brazil. He is one of the founders of the abstract movement in Brazil.