Bronzes

Marcel LOYAU (1895-1936) Sea horse, 1927 Shaded brown patina bronze proof. Signed and dated. Original gray stone base. Chips to base and slight wear to patina. H.25 L. 54.5 cm

Eduardo CHILLIDA (1924-2002) Homage to Penrose Aquatint, numbered 59/99, signed lower left Height 29 cm; Width: 25 cm (the motif) Provenance : - Galerie Lelong, October 1990 Twentieth-century Spanish sculptor Eduardo Chillida is acclaimed for his abstract sculptures exhibited in public spaces. After studying architecture in Madrid, he turned to sculpture in 1947, working mainly in steel and granite. Although his work has been recognized through a number of international awards and exhibitions, it has long remained little-known in Spain. His work often refers to his Basque culture. In 2000, a museum was opened in Hernani to perpetuate his legacy after his death in 2002. WARNING: STORAGE AND REMOVAL AS OUR OFFICE IS CURRENTLY UNDERGOING RENOVATIONS, ALL LOTS MUST BE COLLECTED FROM OUR FURNITURE REPOSITORY IN SAINT-OUEN, WITH YOUR PAID SLIP AND PROOF OF IDENTITY. Address: LTSE - 50, rue Ardoin 93400 Saint-Ouen - Bâtiment 556C. Open 8.30am-12.30pm - 2pm-5pm (Monday to Friday). GPS location: 48.9116440170972, 2.322533212510162. STORAGE FEES : - Free storage for all withdrawals during the first week, up to and including April 29. - 5 euros/day per lot from April 30 inclusive. SHIPPING : SHIPPING WILL NOT BE INSURED BY AUDAP & Associés. Please contact the service provider of your choice: - The Packengers: hello@thepackengers.com - Mehdi Mentouri: mentouri.mehdi@gmail.com - LTSE : contact@ltse.fr

Antoine-Louis BARYE (1795-1875); Lioness. Patinated bronze subject with gilded F.B. stamp and founder Ferdinand BARBEDIENNE. Signed on the terrace and signed by the founder plus gilded stamp. Barbedienne label on reverse and numbered 45 on reverse. Cast in the 19th century. 13.5 x 21 x 6.5 cm.

Maurice FAVRE (1875-1919) Le Preux Triple patina bronze proof. Signed behind and titled on a bronze cartel mounted on the terrace. H.44.5 cm

Raoul LARCHE (1860-1912) Joan of Arc with sword Spectacular bronze print with brown patina, signed on the side. Black veined marble base. H.108 H.129 cm (with base) Rare bronze version of the marble model for the Madeleine church in Paris, commissioned in 1909 by "young girls from the parish" and the clergy.

Roger BEZOMBES (1913-1994) Cuckoo clock Low-relief medallion in black patina bronze, embellished with colored pearls. Signed lower right. D. 23 cm BIBLIOGRAPHY: Roger Bezombes à la Monnaie, mars-avril 1972, médailles, murales, sculptures- objets..., exhibition catalog, Paris, Musée Monétaire, 1972.

19th century FRENCH work in the Neo-Gothic style Virgin and Child Interesting proof in bronze with double brown and gilded patina. H. 61 cm (excluding base) A red marble base is included.

Marie d'ORLÉANS (1813-1839) Joan of Arc at Prayer Bronze proof with brown patina, signed on the side. Foundry mark Susse on the back. H.35 cm

MARCEL BOURAINE (1886-1948) - Dancer. Art Deco-period. Bronze, gray patina. Signed 'Matto'. Minor wear on the patina. Marble base. H.: 57.5 cm

19th century FRENCH work Angel with cross Bronze proof with golden patina, mounted on a black and white veined marble base. H.55 cm without base H.69.5 cm with base

Emmanuel VILLANIS (1858 - 1914) "Mignon", 1896. Shaded brown patina bronze proof. Titled on the front, signed and marked "Salon 1896" on the back. Dimensions: 55 x 31 cm Expert: Madame Amélie Marcilhac

Work from 1920-1930 Knight with standard Bronze proof with green shaded patina. Black stone base. H.63.5 cm (with base)

Alexandre Louis CHARPENTIER (1856-1909) & Roger SANDOZ (publisher) "Femme et pavots", model created in 1892. Herbal tea pot with ovoid body and neck with modeled spout. Proof in bronze with shaded silver patina. Signed in the decoration and marked on the reverse Roger Sandoz édit, edition of 20, copy no. 11. Height: 22.5 cm History: a pewter example was acquired by the French State in 1893 and is now part of the Musée d'Orsay collection (inv. OAO 210). The bronze model was produced by the jeweler Gustave-Roger Sandoz in a series of twenty pieces around 1900. Exhibition: Salon de la Plume, Paris, 1892 (pewter model). Salon de la Société Nationale des Beaux-Arts, 1893 (pewter model acquired by the State for the Musée du Luxembourg). "Alexandre Charpentier, Naturalisme et Art Nouveau", Musée d'Orsay, Paris, 2008 for the Musée d'Orsay pewter model. Bibliography: C. Saunier, "Le Salon de la Plume. VII. Alexander Charpentier", La Plume, n°87, December 1, 1892, the herbal tea pot described on p. 509. Collectif, Catalogue sommaire illustré des arts décoratifs, Musée d'Orsay - RMN, Paris, 1988, model referenced and reproduced on p. 53. Expert: Madame Amélie Marcilhac

FRENCH artist from the second half of the 20th c. Knight with sword Bronze proof with brown patina, bearing an indistinctly legible signature on the terrace. Foundry stamp Scuderi, Paris. H.43.5 cm

André VERMARE (1869-1949) Joan of Arc with her standard Regula proof mounted on a red marble base. Small chip to base. H.100 cm with base

After Louis Ernest BARRIAS 1841-1905 The reader Bronze with an antique brown and gold patina. Signed on the mound. Mounted in green marble with white veins. Height: 53 cm. Length: 35 cm. Depth: 12 cm.

Giovanni da Bologna (called Giambologna), after (Douai 1529 - 1608 Florence), 'Flying Mercury, c. 1880/90, bronze, brown patina, figure of the god standing on the wind Zephyr with the caduceus, after the original from 1580 in the Museo Nazionale del Barghello in Florence, cast by Ferdinand Barbedienne (1810-1892), inscribed on the base of Zephyr's neck "F. Barbedienne Fondeur", h: 52.5 cm, on a square, multi-stepped onyx base, total height: 63.5 cm. Limit 810,-

GEORGES MINNE (1866-1941) Mother and child Dark patina bronze on wooden base. Signed. Donker gepatineerd brons op houten basis. Gesigneerd. Dark patina bronze on wooden base. Signed. H.47 cm W.64 cm D.44 cm For further information on this lot please visit Bonhams.com

Paul Moreau-Vauthier (1871-1936) - L'Étreinte 1904 Terracotta signed on marble base. H. 26 cm (excluding base). H. 32 cm The Royal Museums of Fine Arts of Belgium hold a patinated plaster copy and a bronze copy under Inv. GC 133 and Inv. GC 132.

Georges WASTERLAIN (1889-1963) - Bust of a young woman, bronze with medal patina, signed, H +-26cm (including base).

AFFORTUNATO GORY (1895-1925) - Salome, c. 1910. White marble, gilt bronze. Signed 'A.Gory'. On green-brown patinated bronze base. The artist was inspired by the famous dancer Maud Allan (1873-1956), who caused a lot of suspense when she played the main character in Oscar Wilde's play 'Salomé' topless at the Vienna Opera in 1904. H.: 84 cm

Tête de Bouddha. - Wearing a tiara, eyes half-closed, lips smiling, long ears drooping to the neck. Inside the skull, a statuette of Shakyamuni Buddha. Patinated bronze. Thailand, Ayutthaya period, 16th century. Height: 18 cm. Mounted on base

Edouard DROUOT 1859-1945 "The Swordsman Brown patina bronze, signed on the mound and titled in a cartouche. Height: 46 cm. Deformation to the sword on the back.

P. J. DAVID ARAGO Bronze bust Signed on the base at right and dated 1839. Foundry stamp "sculpt MECQUE A-lle COLLAS . Height 10 cm.

Henri CHAPU: Joan of Arc at Domremy. Bronze subject with medal patina. Cast by Barbédienne. 19th century. Height : 34 cm.

"Polymnie" Bronze subject with brown patina after the antique representing the Muse of eloquence. Marked "REDUCTION SAUVAGE" on the mound. Height: 35 cm.

NITCHE (20th) "Le Naufragé" (The castaway). Antique green and brown patina bronze proof on a rectangular black marble base. Signed on the terrace and marked "Bronze". Dimensions: 40 x 36 x 14 cm. Expert: Madame Amélie Marcilhac

Jules MOIGNIEZ (1835-1894) Horse galloping over an obstacle Bronze proof with brown patina. Signed on the terrace. 10 x 12 x 4.5 cm

Auguste LALOUETTE (1826-1883) The Facetious Altar Boy Silver patina bronze proof, mounted on a red marble base. Signed. Small chip to base. H.22 cm

GABRIELE PARENTE, Scugnizzo che salta, Scultura in bronzo - GABRIELE PARENTE (Naples 1875 - 1899) Jumping street urchin Bronze sculpture, lost-wax casting Signature at base. 34 cm H.

After James PRADIER. Sculpture in bronze with brown patina: water carrier. Signed on the base. Height: 30.5 cm

Antoine-Louis BARYE (1795-1875), after. Doe and fawn. Subject in patinated bronze, signed on the terrace. 5 x 11.5 x 5.5 cm.

NARCISSE - Souvenir du Grand tour - bronze statue Lost-wax bronze statue. Reproduction of the Hellenistic statue found in Pompeii in 1862, now in the National Archaeological Museum in Naples. Many of these bronzes were reproduced in the 1880s for tourists visiting Europe. Late 19th century H : 35 cm - W : 15 cm Numbered "150" under the base

FRANCE, late 19th century Reunion of four religious sculptures: - F.M. BERNARD, Christ rédempteur, bronze proof with brown patina, H. 23 cm ; - Christ au roseau, bronze proof with shaded brown patina, H. 17 cm ; - Christ prêchant, bronze proof with shaded brown patina mounted on a black stone base, H. 24 cm ; - Vierge de douleur (Virgin of Sorrow), gilded patina bronze proof on a neo-Gothic bronze base, H. 20 cm

19th c. FRENCH work. The harquebusier with a standard Proof in regula with brown patina. H.38 cm

FRENCH work from the 1900s Reduction of the town of Carcassonne Regula proof with patina. H.9 W. 17 D. 11.5cm An amusing and dreamlike testimony to Yves Gastou's native town. A sword, probably from a bronze Joan of Arc, is attached. The tip is slightly twisted. Height 27cm

Alfred Jean FORETAY (1861 - 1944). "Woman with basket". Proof in bronze with brown patina (slight oxidation). Signed on the base. Height: 44 cm. Expert: Madame Amélie Marcilhac

Costantin Meunier Green patina bronze sculpture: "Longshoreman from the port of Antwerp", on a black marble base. Unsigned. Total height: 36 cm.

DALI I DOMENECH, SALVADOR (1904 - 1989) - Sculpture made of patinated lost-wax bronze. Mounted on a marble base. Signed and numbered (126/999) on the back. Edited by 2049 contemporary work. Attached certificate issued by the publisher. Provenance: - Private collection. Bibliography: - DESCHARNES, Robert et Nicolas: Dali Le dur et le mou, Sortilège et magie des formes: Sculptures & Objects. Eccart. Paris, 2003. Page 169. Cat. No.: 288. Rep. Col. 41m (height)

Henri BOUCHARD (1875 Dijon - 1960 Paris). "Soir de labour" bronze print with brown patina, signed and dated 1911, inscribed: "Alexis Rudier - Fondeur Paris". H. 25 - W. 46 - D. 30 cm. Wear and tear.

Henri PLÉ (1853-1922) The first steps, 1883. Large patinated bronze group depicting a young woman teaching her son to walk. Signed and dated on the terrace, founder's stamp and "réduction mécanique A. COLAS breveté". H. 53 cm Wear and tear

E. FREMIET. Epagneul à l'arrêt, bronze print with brown patina, signed on the terrace. 20th century. H. 6 cm - W. 25 cm - D. 8 cm.

Model of LEONARDO DA VINCI (Italy, 1452 - France, 1519). "Vitruvian Man". Editorial Planeta, 2014. Bronze sculpture with travertine marble pedestal, copy 1151/2998. It presents marks of use and wear. Measurements: 38 x 28 x 2,5 x 2,5 ,5 cm (book); 42 x 40 x 10 x 10 cm (sculpture). Unique edition of a sculpture made from the drawing of "The Vitruvian Man" by Leonardo da Vinci. The sculpture is accompanied by the volume "Leonardo da Vinci", printed in four inks on Creator Gala 170 g. paper. The sculptures are made in lost wax bronze and placed on a travertine marble base. The reproductions bear a bas-relief inscription with Leonardo da Vinci's signature and a phrase. Each of the sculptures has been hand numbered. Spanish edition limited to 2,998 copies, numbered from 1 to 2,998, plus a German edition numbered from 1 to 450. It shows signs of wear and tear.

Prof. Otto Poertzel (German, 1876 - 1963), a cast bronze sculpture of an eagle with spread wings. Inset with a beak carved of natural material. Covered with a dark brown patina. The plinth is in the form of a ledge, inscribed with the artist's signature "Prof. Poertzel." Mounted on an oval stone pedestal. Note: Professor Otto Poertzel was a German sculptor, who studied at the Academy of Fine Arts Munich with Professor Erwin Kurz and Adolf von Hildebrandt and exhibited at numerous international exhibitions, including in St. Louis and Brussels Poertzel. He became one of the most prominent sculptors in Germany and was for many years under the special protection of the Duke of Saxe-Coburg- Gotha who gave many commission orders. Many of his earlier works were to be found in the salons of German Royal Courts and a few of the most beautiful were purchased by the late King of Bulgaria. Dimensions: H: 12 1/2 in., (31.5 cm.) L: 17 3/4 in., ( 45 cm.) The sculpture appears to be in good condition with a nice bronze patina.

JEAN-PIERRE RAYNAUD (°1939) - 'Sens interdit barré', 1970-71. Sculpture. Metal, sheet metal, paint. Edition of 20 copies, this copy numbered 14/20. Traces of ageing. Resale rights applicable. 110 x 50 x 10 cm

SCACCHIERA in bronzo e marmo - Bronze and marble CHESSBOARD, silver-plated and gilt bronze checkers, lost-wax casting. Italy 20th century. 46 x 46 cm H. 9.

Irénée ROCHARD (1906-1984). Duck. Black patina bronze, signed on the terrace. Height: 13 cm.

Augusto Murer (1922-1985) - Young woman standing 1972 Bronze with bronze patina, signed and dated on the terrace H. 30 cm W. 13 cm D. 8 cm

Jockey and horse Gilded bronze group with brown patina; white marble counter base. Height 24 - Width 24 cm

Elli MALEVOLTI (20th century) Set of two sculptures including : - sculpture in gilded and silvered metal and resin representing a wader, signed with label ; - silver-plated metal and resin sculpture of a duck, signed. H: 23 and 42 cm