Pens, paperweights and inkwells

Rolex, Daytona, Cosmograph, montre-bracelet chronographe automatique Cadran blanc, aiguilles et index bâtons luminescents argentés, secondes à 6h, deux compteurs pour le chrono, circa 2005, acier, ref. 116520, D 39 mm, dans son écrin et avec ses papiers d'origine

ROLEX Daytona APH Chromalight. Ref : 116520. Circa: 2013. Rolex Daytona APH, steel chronograph, round case, signed black dial, chromalight blue luminescent indexes among the first manufactured, produced from late 2013 to 2016, baton indexes, seconds counter at 6 o'clock, chronograph minute and hour counters at 3 and 9 o'clock, tachymeter scale. Screw-down chronograph pushers. Mechanical self-winding 4130 Rolex movement. Steel Oyster bracelet, steel folding clasp signed Rolex Geneva Swiss. Screw-down caseback. The Daytona APH is particularly sought-after for the slight printing error that makes this watch so rare. This model is presented in very good condition, Rolex serviced January 2023 with warranty card. Sold complete with box and papers, full set. Diameter: 40 mm. Length: 20 cm. Watch consulted by Mr. Vautrin, Olivine prestige company.

Eugène Boudin (1824-1898) Barque en bord de mer, pastel sur papier, signé, 14,5x21 cm

Bernard Buffet (1928-1999) Ombelles et iris bleus dans un pichet (1963), technique mixte sur papier, signée et datée, cachet de la galerie Maurice Garnier au dos, 65,2x50 cm. L'oeuvre is répertoriée et décrite dans les archives de la galerie Maurice Garnier

ROLEX 41mm. Ref : 116334. Circa: 2010. Steel wristwatch, signed grey dial, chromalight baton hour markers, Arabic numerals, date window at 3 o'clock. Rolex self-winding mechanical movement. Steel Oyster bracelet, steel folding clasp signed. Fluted bezel in 750/1000 white gold. Sold with box, over-box, original papers and additional link. Diameter: 41 mm. Length: 22 cm. Watch consulted by Mr. Vautrin, Olivine prestige company.

Eugène Boudin (1824-1898) Etude de ciel, pastel sur papier, cachet bleu du monogramme en bas à droite, 14x20 cm. Provenance : Galerie Katia Granoff, quai Conti, Paris, collection privée suisse

ROLEX Submariner "Palettoni". Ref : 16800. Circa: 1983. Exceptional Submariner 16800 6 lines. Round case with screw-down back. Signed crown. Graduated unidirectional rotating bezel. Extremely rare original signed matt black dial. Baton hour markers, dotted lines, arrows, tritium eggshell patina. Tritium-steel Mercedes hands. Central second hand in tritium steel. Date window at 3 o'clock. Sapphire crystal with Rolex cyclops. Inner caseback signed, reference 16800. Signed self-winding mechanical movement, calibre 3035. Signed steel bracelet with steel folding clasp, reference 93150, endlink 580. The watch is accompanied by its signed box and papers, full set. Diameter: 40 mm. Length: 22 cm. Watch consulted by Mr. Vautrin, Olivine prestige company.

ROLEX Oyster Perpetual Date. Ref : 15053. Circa: 1986. Steel and 750/1000 yellow gold wristwatch. Round case with screw-down back. Signed crown. Signed champagne dial. Applied baton hour markers. Gold-plated baton hands with tritium luminescent tips. Gold-plated baton center seconds. Date window at 3 o'clock. Glass with Rolex cyclops. Self-winding mechanical movement, reference 3035. Steel and 750/1000 yellow gold Oyster bracelet signed and numbered 78353/19, endlink: 457. Accompanied by box and papers, full set. Diameter: 34 mm. Length: 22 cm. Watch consulted by Mr. Vautrin, Olivine prestige company.

Léon HATOT (1883-1953) dit ATO - Rare illuminated globe clock with glass and paper globe resting on a modernist nickel-plated and patinated metal frame. Signed "ATO" and Girard Barrère Circa 1930-1935 Height: 36 cm Bibliography: "L'Art Vivant", year 1934, number 189

Raoul DUFY 1877-1953 - LANDSCAPE, DESIGN FOR THE TAPESTRY "LE BEL ÉTÉ", 1940-1941 Watercolor and pencil on paper, trace of a signature lower right 19.5 x 23.5 cm Traces of humidity Provenance : Private collection of the artist Collection R.M., donated by Emilienne Dufy Bibliography: This work is reproduced in the online supplement to the Catalogue Raisonné of Raoul Dufy's Watercolors, Gouaches and Pastels by Fanny Guillon-Laffaille under no. As-1806 A certificate of authenticity from Madame Fanny Guillon-Laffaille will be given to the buyer.

HENRI MICHAUX (1899-1984) Untitled 1963 Signed lower right Dated July 1963 on the back India ink on paper Getekend rechtsonder Gedateerd juli 1963 op de achterkant Oost-Indische inkt op papier Signed lower right Dated July 1963 on the reverse India ink on paper 75 x 107 cm Footnotes: Provenance / Herkomst Galerie Daniel Cordier, Paris Galerie Baudoin Lebon, Paris Private collection / privécollectie, Bruxelles Exhibition / Tentoonstelling Galerie Gimpel-Hanover, Zurich, 1965 (May 18-June 19). Work reproduced in the booklet that serves as catalog. This work will be included in the catalog raisonné currently being prepared by Micheline Phankim, Rainer Michael Mason and Franck Leibovici. This lot is subject to the following lot symbols: AR AR An additional percentage will be charged to buyers for lots preceded by the symbol AR corresponding to artists' resale rights under the Copyright Regulations 2006. Please refer to the conditions of sale for further details. De koper is ons een extra premie verschuldigd ter dekking van onze kosten in verband met de betaling van royalty's krachtens de Artists Resale Right Regulations 2006. Zie onze algemene voorwaarden voor meer informatie. An Additional Premium will be payable to us by the Buyer to cover our Expenses relating to payment of royalties under the Artists Resale Right Regulations 2006. See our terms and conditions for further details. For further information on this lot please visit Bonhams.com

Jean Dubuffet (1901-1985) Deux personnages dans un paysage, gouache et encre sur papier, mars/mai 1949, signée et datée, 21x26 cm. Bibliography : M. Loreau, Catalogue des travaux de Jean Dubuffet, fascicule 5: Paysages grotesques, cat. 25, reproduit.

"Le monde du papier Peint", Francoise Teynac, Pierre Nolot, Jean Denis Vivien, Ed. berger-Levrault, 1981

Jean LURCAT: "Projet de la tapisserie Maroc". Two gouaches on paper in a frame, signed lower left, 32 x 49 cm. One tear and slight folds.

Jacques GRUBER (1870-1936) - Glass blowers Mixed media on paper Signed lower right 131 x 45.5 cm Provenance: Gruber family

LAPICQUE Charles (1898-1988) "La route mandarine" (1961) Color lithograph on Japanese paper, signed lower right and numbered "35/50" lower left. Subject height: 23.5 cm x Width: 35 cm Ref : Charles Lapicque - Bernard Balanci - Georges Blache - Elmina Auger, "Charles Lapicque. Catalog raisonné de l'oeuvre complet des lithographies, eaux fortes et gravures", Imprimerie Sipo, Béziers, 1981, under number 169.

Wassily Kandinsky (1866-1944) Projet pour un fauteuil ou esquisse pour tissu, gouache sur papier, circa 1943, non signé, ni daté, 34x33 cm Provenance: Nina Kandinsky, Paris (épouse de l'artiste). Galerie Beyeler, Bâle: acquired auprès de cette dernière (février 1972). Collection privée suisse: acquired auprès de ce dernier (janvier 1989). Since then par descendance. Exposition: - Bâle, Galerie Beyeler, Kandinsky, Watercolors and Drawings, Juin-juillet 1972, p. 78, no. 91 (titré Entwurf); - New York, The Pace Gallery, Kandinsky: Watercolors and Drawings, 1911-1943, Mars-avril 1973, no. 30 (titré Study); - Rome, Galleria Anna d'Ascanio, Kandinsky, Mars 1980; - New York, The Solomon R. Guggenheim Museum; - Houston, The Museum of Fine Art; - Milan, Palazzo Reale and Vienna, Museum des 20. Jahrhunderts, Kandinsky in Paris, 1934-1944, février 1985 - janvier 1986, p. 220, no. 108 (illustré); -Tokyo, Fuji Television Gallery, Kandinsky, Bauhaus and the Paris Years, 1922-1944, novembre 1986, no. 20 (illustré). Littérature: Vivian Endicott Barnett, Kandinsky, watercolours, Catalogue Raisonné, vol. 2 1922-1944, no. 1365 (illustré).

Jean Cocteau (1889-1963) - Saint Peter outraged by Pilate's soldiers 1957 Lithograph on Arches paper signed and dated lower left, numbered 13/30 lower right 49 x 64 cm Condition report: Framed

C. Bermudez (XXe siècle) - Erotic composition Watercolor and ink on paper signed lower right 49 x 64 cm Provenance: > Private collection, Paris Condition report : Framed

Set of three maps: - HONDIUS, H. Asia recens summa cura delineata. Amsterdam, 1631 [1639-1649. Col. Later coloring. Map skilfully restored and lined, 2 small paper chips lower right and some yellowing. some yellowing. 380 x 503 mm. Map of the Asian continent by Henricus Hondius. Korea is shown as a peninsula. - Sweet, Mapping of the continent of Asia, 33. - ROBERT DE VAUGONDY, G. Terre de Chanaan, ou Terre promise à Abraham et à sa Posterité... . Paris, 1743. Boundaries in old col. Light central wetness, copy on strong paper. 425 x 540 mm. Map of the Promised Land engraved by Lattré. Two maps on one sheet. With a map of Palestine and a map of the Near East with a title cartouche "Carte des voyages d'Abraham faits par l'ordre de Dieu, en Asie et en Egypte où sont les pays dont il lui promit la possession et à sa posterérité en récompense de son obéissance." In the lower left corner, "Disposition of the Israelite camp around the Ark of the Covenant". - VAUGONDY. Europe. 1751. Limits in period colors, cartouche in later colors.

Fernand Léger (1881-1955) Etude de nu, encre sur papier, monogrammée et datée 1911, 32x23.5 cm. L'avis d'inclusion dans les archives du comité Léger en date du 29 février 2024 accompagne cette oeuvre. Provenance: Pierre Descargues Paris; galerie Weber Genève; collection privée suisse.

CORNEILLE (1922-2010) (Guillaume Cornelis van Beverloo) Female nude Color silkscreen on paper Signed and dated "93", dedicated "pour Christine - une reine" and justified "EA" at bottom 119 x 119 cm approx.

Stani Nitkowski (1949-2001) - Femme au goitre 1985 Oil on panel signed lower right, titled and dated "fév. 85" on back 35 x 28.4 cm Condition report: Framed René Nitkowski, his official name, was born in 1949 to a Polish-born miner and a French seamstress. While two of his siblings died at an early age, he was struck down by myopathy in his teens - a progressive degeneration of muscle cells - and found himself in a wheelchair at the age of 23. It was then that he began to paint. Self-taught, he transcribed his passions onto canvas or paper in a style that blends poetry, humor and tragic feelings. Seduced by Art Brut, notably the works of his mentors Robert Tatin and Jean Dubuffet, he decided to abandon abstraction in the 1970s. He was then supported by two influential Parisian gallery owners: first Cérès Franco, then Roland Vanuxem. As his palette began to darken, he held a series of exhibitions in France and abroad, in New York, Montreal and Lausanne. In 1993, the Musée de Niort devoted a retrospective exhibition to his work. Since his death in 2001, several galleries and institutions have paid tribute to his work, including the Halle Saint-Pierre in Paris. "Deep down, I'm an expressionist painter, I'm of Slavic origin, my great loves are Van Gogh, Goya, Maryan." Stani Nitkowski

MONTBLANC Model MEISTERSTUCK, ballpoint pen, black (refill to be changed)

Tadao Ando (né en 1941) - Untitled Ink and pastel on paper signed lower right Endeavors enclosed 18.5 x 13 cm

LAPICQUE Charles (1898-1988) "Rome" (1957) Color lithograph on beige Arches paper, signed lower right and numbered "91/125" lower left. Subject height: 37 cm x Width: 49.5 cm Ref : Charles Lapicque - Bernard Balanci - Georges Blache - Elmina Auger, "Charles Lapicque. Catalog raisonné de l'oeuvre complet des lithographies, eaux fortes et gravures", Imprimerie Sipo, Béziers, 1981, under number 93.

TABLEAU "LA CORRIDA" by Constantin TERECHKOVITCH (1902-1978) Gouache on paper signed lower left Label on the back from Galerie Paul Petrides, Paris. Size: 40 x 52 cm Sold by designation Constantin (or Kostia) Terechkovitch is a French painter of Russian origin. Born in 1902, Kostia Terechkovitch showed an early interest in drawing, a gift encouraged by his parents, who entrusted his hands to the Moscow painter Constantin Youone and his eyes to the collector Sergei Shchukin. Terechkovitch later entered the School of Painting, Sculpture and Architecture, the Russian equivalent of the French École des Beaux-Arts. That same year, 1917, the Russian Revolution broke out, disrupting civil society. Taking this as an opportunity, he decided to leave for Paris, then the capital of the arts, which he reached only in 1920 after a series of adventures and odd jobs.

GEN PAUL (1895-1975), EUGÈNE PAUL DIT DJANGO REINHARDT, 1950 Pastel on paper Signed and dated "50" upper left Titled "Django" upper right Pastel on paper; signed and dated upper left; titled upper right A trombone attributed to Gen Paul is included. Maker's mark "THIBOUVILLE-LAMY 68 r. Réaumur PARIS 98" on the bell, height: 78 cm. Joined a trombone attributed to Gen Paul. Maker's brand "THIBOUVILLE-LAMY 68 r. Réaumur PARIS 98" on the bell, height: 30 3/4 in. 35 X 34,5 CM - 13 3/4 X 13 3/8 IN. This drawing was used to illustrate the "Django Reinhardt 1910-1953" Vogue souvenir box, released in 1969. Mr. Patrick Offenstadt of the Comité Gen Paul has confirmed the authenticity of this work. A notice of inclusion in the catalog raisonné of Gen Paul's work currently being prepared by the Comité Gen Paul, dated October 25, 2023, will be given to the purchaser.

WIFREDO LAM (1902-1982) - Apostroph' Apocalypse, 1967 - Hard cardboard slipcase containing 20 bifoli on Velin Filicarta paper bearing 14 etchings by Wifredo Lam and an unpublished poem by Luca Gherasim 52.5x43.5 cm Signatures of Wifredo Lam and Luca Gherasim and numbering (Exemplar 58) in pencil on colophon Notes Edition printed by Giancarlo Pozzi at the atelier of Giorgio Upiglio, Milan Total edition of 99 copies in Arabic numerals, XXV copies in Roman numerals and 11 HC copies

ÉCOLE DE KANGRA, RÉGION PAHARI, INDE DU NORD, XIXE SIÈCLE - KANGRA SCHOOL, PAHARI REGION, NORTH INDIA, 19TH CENTURY PORTRAIT OF A PENSIVE WOMAN, Gouache and gold on paper, depicting a young woman with delicate features, richly adorned and wearing a dupatta over a celadon-green tunic, framed by a thick border of gilded flowers on a blue background. Portrait of a young woman, Pahari school, possibly Kangra or Guler, Punjab, north India, 19th century Dim.: H 28.5 x W 24 cm (painting, on sight) - H 11 1/4 x W 9 1/2 in (painting, on sight) This beautiful portrait is painted in a style specific to the Pahari region of Upper Punjab, such as that of the Kangra school. A painting of a woman at her toilet in the Victoria and Albert Museum, London, executed in Kangra around 1815 is typical of this style, which is also very close to our painting (IM.7-1912). EXPERT : Cabinet Pingannaud David

École française de la fin du XVIIIe siècle - French school of the late 18th century Marie-Guillemine Benoist's entourage The young draftswoman Black stone and pastel on paper (oval view) 25 x 22.5 cm - 9 13/16 x 8 7/8 in. (Sold framed)

Michel Cadoret (1912-1985) - Abstract composition circa 1970 Colored inks on paper signed and dated lower right 15.5 x 24 cm Provenance: > Private collection, Seine-et-Marne Condition report: Framed (dimensions 42 x 52 cm)

(XXe siècle) - (20th century) After Jean-Jacques Audubon Roseate spoonbill (Platalea ajaja) Print on paper mounted on cardboard 59 x 89 cm - 23 1/4 x 35 1/16 in. PROVENANCE Private collection from Lyon. (Sold unframed)

Jean FILHOS pour Christofle - Silver-plated bronze paper-knife, the handle decorated with intertwining figures. Annotated "Bon Noël 1974" and signed. Length: 20 cm

Jean-Paul Riopelle (1923-2002) - Untitled, diptych 1976 Charcoal on paper 65 x 99 cm Provenance: > French-Canadian private collection Bibliography: > Yseult Riopelle, Jean-Paul Riopelle, Catalogue raisonné, volume 5, Hibou Éditeurs, Montréal, 2021, p. 450 reproduced under reference 1976.043P.1976 Exhibitions: > 2010, Riopelle. Mémoires d'ateliers, Galerie Jean-François Cazeau Paris and Granville Fine Art, Vancouver, cat. p. 62 Condition report: Annotated on the back 200526 and 200527

(XXe siècle) - (20th century) After Nicolas Lancret Innocence; The music lesson Watercolors on paper 26.5 x 35.5 cm - 10 7/16 x 14 in. (Sold framed)

Yves Tanguy (1900-1955) - Cover of Cahiers d'Art 1950 Original blue, white and black stencil on cream laid paper created for the cover of the magazine n°2 of the 25th year published in 1950 33 x 25 cm Condition report : Framed

Corneille (1922-2010) - Femme et faune familière 1978 Lithograph on paper, signed and dated lower right, numbered 38/100 lower left 76 x 57 cm "Since 1945, Corneille has been involved in all aspects of painting, from the founding scandal of the Cobra years in the aftermath of the war, to the revival of figuration that distinguished his work at the turn of the 1970s. (...) If, in the 1940s, Corneille was one of the young painters who wanted to break with the tradition of Western painting inherited from the 19th century, he was already following in the footsteps of the pioneers of modernism such as Paul Klee, Pablo Picasso, Henri Matisse and, above all, Vincent Van Gogh and Paul Gauguin, whom he particularly admired." Victor Vanoosten

GEN PAUL 1895-1975 - THE SAXOPHONIST Watercolor drawing on paper signed lower right 28 × 20 cm

BOUGUEREAU, Maurice / PLANCIUS, Petrus. Gallia. Tours, 1593 [1594. Black and white. Paper weakened, small cracks at bottom of card reinforced, pale brown spotting and wetness. Arms of Henri IV, formerly smudged in ink. Some ink runs in the printing due to wear and cracks in the copper. 385 x 470 mm. Map of France published in Maurice Bouguereau's "Théâtre francoys". Map after Petrus Plancius published in Tours by BOUGUEREAU. Title cartouche with Henri IV's coat of arms. The "Théâtre francoys" is the first printed atlas of the provinces of France, and includes three general maps of France and 16 maps of the French provinces. The general maps are by Petrus Plancius, Jean Jolivet and Guillaume Postel. Some of these maps were used by Leclerc and Boisseau until the mid-17th century. The atlas is extremely rare, with very few copies in existence. Joint: HONDIUS, J. Galliae. Amsterdam, 1631. 370 x 500 mm. Col. Posterior. Figurative title cartouche, coat-of-arms of France, compass rose, ships and sea monsters. (With) ORTELIUS, A. Galliae veteris. 1594. 395 x 495 mm. Heavily browned. - Pastoureau, Bouguereau 2

École vénitienne du XVIIIe siècle - 18th century Venetian school Follower of Francesco Guardi Fishermen on a boat Pen, black ink and gray wash on paper 30 x 15.5 cm - 11 13/16 x 6 1/8 in. PROVENANCE Private collection from Lyon. (Sold unframed. Insolation, traces of humidity)

LÉON AUGUSTIN LHERMITTE (1844-1925) STUDY FOR THE GRAIN MILL IN BRITTANY Charcoal and white chalk highlights on paper Bears workshop stamp (L.3890) lower right Charcoal and white chalk on paper; stamped by the artist's workshop lower right 30 X 42 CM - 11 3/4 X 16 1/2 IN. EXHIBITION Château-Thierry, Galerie Jean de La Fontaine, Dessins de Léon Lhermitte, March 17-April 28, 1990, no. 8 in the exhibition catalog. BIBLIOGRAPHY Monique Le Pelley Fonteny, Léon Augustin Lhermitte, Catalogue raisonné, Éditions Cercles d'Art, Paris: 1991, reproduced and described under no. 125, p. 339. "Lhermitte preoccupies me too much this evening for me to go on talking about anything else. When I think of Millet or Lhermitte, I find modern art as powerful as the work of Michelangelo or Rembrandt." Van Gogh

GIORGIO DE CHIRICO (1888-1978) - Cavalli in riva al Tirreno (I cavalli mediterranei), 1970 - 3-color lithograph, hand-colored 71x53 cm Signature, title and inscription ' P.d.A. hand colored' in pencil on front Artist's embossed stamp Dry stamp Alberto Caprini Printer in Rome Unframed work Bibliography 1990 Giorgio de Chirico. Catalogo dell'opera grafica 1969-1977, edited by Edoardo Brandani, Edizioni Bora, Bologna, p. 124, rep. 103 Notes Total edition of 80 copies in Arabic numerals + XXV copies in Roman numerals + 21 copies initialed by the letters A to Z on Japon paper + 12 Artist's proofs + 10 hand-colored copies

TIFFANY. Silver vermeil pen with blue enamel. P.B 14,6g

Fernand Dubuis (1908-1991) Composition abstraite, aquarelle sur papier, signée, 36x44 cm

Max Ernst (1891-1976) Eternité, gouache sur papier, signée et datée 50 à la mine de plomb, 8,7x8,4 cm, montée sur un carton de 16,5x20,5 cm Provenance selon une indication sur un bristol joint: offert par M. Edouard Loeb, galerie Berggruen, rue de l'Université Paris. Nous remercions le Dr. Jürgen Pech de nous avoir confirmé l'authenticité de cette oeuvre sur photo. Un certificat pourra lui être demandé aux frais de l'acheteur.

MARC SAINT-SAENS (1903-1973) APOLLON Gouache on paper Signed lower center Tapestry cardboard Gouache on paper; signed lower center; tapestry cardboard 21 X 28 CM - 8 1/4 X 11 IN.

Charles-Clos Olsommer (1883-1966) Portrait d'homme barbu entre les branches, aquarelle et pastel sur papier, signé et daté MCMXXVIII, 42x36 cm

Very fine framed color lithograph on paper. LE PHO (1907-2001) Maternity circa 1955, signed in Vietnamese and French and numbered 21/90. Sight size: 48x35

MICHEL CIRY (1919-2018) MADAME GAULTIER, 1961 Ink on paper Titled and dated "mars 61" upper left Ink on paper; titled and dated upper left 34,5 X 24,5 CM - 13 5/8 X 9 5/8 IN. PROVENANCE Galerie Paul Valloton S.A., Lausanne. Private collection.