Drouot.com>World Art

World Art

In the top ten of bids, the ethnic arts by no means drag their heels. These treasures of africa, america and oceania sold at auction have fascinated collectors from André Breton to Pablo Picasso and from Pierre Vérité to Jacques Kerchache.
In 2000, Kerchache was largely responsible for introducing works by these peoples considered "without writing or history" to the Louvre, foreshadowing the opening of the musée du Quai Branly in Paris.
"Masterpieces the world over are born free and equal," to quote the man who loved these magical objects from all over the globe: from Africa (Ivory Coast, Republic of Congo, Democratic Republic of Congo, Nigeria, Angola, Burkina-Faso, Gabon, Madagascar, etc.), oceania (Papua New Guinea, the Marquesas Islands, the Cook Islands, the Solomon Islands, New Zealand, Polynesia, etc.), the americas (the Tainos of the caribbean islands, the Inuits from the gulf of Alaska) and insulindia (Borneo, Indonesia). While they acquired the rank of art works late on in their history, since 2000, the ethnic arts have certainly been adding fuel to the (sacred) fire in online auctions, with dogon masks, fang statues, kota mbulu-ngulu reliquary figures, maoris pendants and eskimo sculptures.

More

Recommended lots

Albrecht Dürer (1471-1528) - Albrecht Dürer -The Lamentation - Ca. 1497 / Description: The Lamentation, in the foreground the dead Christ is lying on the ground, supported by St John, lamented by a group of women; the left background is the scene of the Crucifixion. c.1497-1500. Woodcut made by: Albrecht Dürer. Meder 122, b or c. With the crack along the left side of the woodcut already present in earlier states. Watermarked laid paper with on the backside the two inventory stamps by the famous Belgian print dealer Albert van Loock who was active in Brussels from 1949 on. / Dimensions: 39,50 x 28,50 cm / Condition: A good, slightly uneven printed impression on watermarked laid paper. Horizontal middle fold enforced by paper strip at left and right on the backside. / Literature: Meder 1932 / Dürer Katalog (122 b or c) ----- Bartsch / Le Peintre graveur (VII.117.13) ----- Dodgson 1903, 1911 / Catalogue of Early German and Flemish Woodcuts in the BM, 2 vols (I.274.20) ----- This stunning woodcut presents the emotional moment of St. John and the Virgin Mary surrounding Christ’s body following his Crucifixion. Their figures are arranged in a visually powerful pyramid and the dramatic tight arrangement of their clothes and limbs in the lower right endow them with a visceral sorrow, held in high contrast with the upper left corner which shows a far-away sparse place of the Crucifixion. Strauss describes the composition thus: “The scene of the Crucifixion has been moved to the far background, so that the eye may concentrate on the interlude after the Descent from the Cross and before the Entombment of Christ. This subject became especially popular in Germany in the sixteenth century… Although the more prominent figure on the top has usually been seen as the virgin, she is more likely to be the woman tenderly lifting Christ’s hand and bending over him.” (Strauss, p. 215) / Medium: Woodcut /Circa: 1497-1499 1600

Estim. 2,200 - 2,800 EUR