Furniture

CHARLOTTE PERRIAND (France, 1903 - 1999). Bench "Banquette", ca. 1960. Wood and formica. Black lacquered metal frame. White fabric cushions with foam. Cushions with modular function. Measurements: 35 x 260 x 70 cm. Designed by Charlotte Perriand between 1959 and 1967, this model was part of a series of furniture for the homes of the managers and staff of the mining company "Miferma" in the town of Cansado, on the Atlantic coast of Mauritania. It is characterized by its sophisticated and timeless aesthetics, noticeable in the minimal lines that integrate the bench made of wooden slats, with the drawer and top in formica, whose whiteness is assimilated to the white of the cushions. It is a minimalist and functional, yet elegant design. Charlotte Perriand worked in Le Corbusier's studio as head of furniture and interiors. She was a French artist, architect and designer of great international prestige, promoter of modern interior architecture. Inspired by Japanese minimalism, she developed the concept of storage furniture and, together with Jean Prouvé, practiced the democratization of interior design with key pieces of the twentieth century. She became known at the age of 24 with her "Bar sous le Toit" in chromed steel and anodized aluminum, which was presented at the 1927 Salon d'Automne. Shortly thereafter he began his more than ten-year career alongside Pierre Jeanneret and Le Corbusier. In 1927 he established his first studio of his own. He developed the concept of domestic storage and multifunctional furniture, equipping interiors for an emerging way of life and standardizing decoration, thus avoiding any extravagance. He collaborated with Le Corbusier on numerous architectural projects, designing the fittings for different dwellings such as the villas La Roche-Jeanneret, Church en Ville-d'Avray, Stein-de Monzie and the Villa Savoye, as well as the interiors of the Swiss Pavilion in the Cité Universitaire and the Cité Refuge de l'Armée du Salut, both in Paris. He also worked with him on the definition of the cellule minimum (1929). His relationship with Le Corbusier resumed after the war, developing the first prototype of the integrated kitchen for the Unité d'Habitation de Marseille. He also collaborated with Fernand Léger. His career spanned places as diverse as Brazil, Congo, England, France, Japan, French New Guinea, Switzerland, and Vietnam. The Design Museum of London dedicated an exhibition to the designer in which her career was shown.

Boulle marquetry cabinet with brass and brown tortoiseshell counterparts featuring foliage scrolls and races; rectangular in shape with a recessed front, it opens with three leaves revealing shelves; the uprights are dark brass fluted;They stand on six feet with foliate and gadrooned bronze sabots; the sides have wide pewter fillets lined with brass fillet; fine ornamentation in chased and gilded bronze, including acanthus and fleuron friezes, rosettes, gadrooned frames and an allegorical Bacchus motif. Old Louis XVI style work (old elements). White-veined gray marble top with "granite" frame. H: 108 - W: 131 - D: 55.5 cm.

Pair of small gilded and carved wood wall brackets and one suite. Napoleon III period H: 26.5 cm (each)

JAPON, Période Momoyama/ Periode Edo, fin du XVIe-début du XVIIe siècle - Rare Namban lacquer travel chest Of quadrangular form with domed lid, featuring rich decoration in hira-maki-e and taka-maki-e gold lacquer and mother-of-pearl inlays, on a glossy black ground, of a pair of pheasants among prunus branches and peonies in bloom on the lid and front. The back is decorated with foliate scrolls. Mobile bronze side handles, added later on the sides. The chased ormolu angle irons and lock are decorated with foliate scrolls. It stands on an elegant Napoleon III-style Napoleon III style, with four scrolled legs and a geometric frieze and polychrome painted dragon motif, accompanied by gold-painted foliage and mother-of-pearl inlays. H.: 102 cm, W.: 86 cm, D. 45 cm

Sloping desk with varnish decoration on all sides, in imitation of Japanese gold lacquer on a black background, decorated with everyday objects such as fans and cherry branches. The flap, featuring a pagoda and mountain landscape, reveals a paperweight inlaid with violet wood and featuring three drawers. Chased and gilded bronze ornamentation, including falls, clasps, sabots, astragals, .... Second half of the 19th century Chips in the decoration H: 92 - W: 72 - D: 45 cm.

pair of large upholstered bergère armchairs, Ep. Napoléon III, wear and tear

Mahogany and mahogany veneer "tric-trac" game table, the reversible top sheathed in havana leather or green cloth reveals the game surface with natural or green-stained bone indexes. It opens with two opposing drawers and fluted legs with casters. Louis XVI period H : 72 - W : 117 - D : 61 cm.

GAETANO PESCE - Low table. Polychrome resin. Model produced in four examples. Zero editions design 2000. Embossed signature of the artist and publisher. 52.5x103x104 cm. A LOW TABLE BY G. PESCE Very good overall condition. Small lines and normal signs of wear.

HERMAN MILLER, small table, tulip base. Signed. 73X55

GIANFRANCO FRATTINI (Italy, 1926 - 2004). Sideboard. Model 505. Rio rosewood. Original Bernini edition, 1960. One shelf is missing from the central module. Measurements: 71 x 210 x 53 cm. Italian buffet or sideboard made of Rio rosewood, a design by Grianfranco Frattini edited by Bernini in 1960. It consists of a prismatic structure raised on six legs that visually lighten the design due to their stylized carving, located in the center of each of the three lanes that divide the center. The three modules are closed with shutters and the interior houses, respectively, four drawers with attractive elliptical handles, and shelves in the center and on the right. Gianfranco Frattini belongs to the generation of Italian designers of the 1950s and 1960s. He studied architecture at the Politecnico di Milano, and began his career as an industrial designer when he realized that he needed appropriate furniture and lighting for the interiors of his architectural projects. In 1956 he was one of the founders of ADI, Associazione per il Disegno Industriale. Throughout his long career, Frattini collaborated with Gio Ponti, worked for Cassina and Acerbis, and designed lamps for Artemide, as well as being a member of the Milan Triennale and designing for Knoll. One shelf is missing from the central module.

Fourteen-light polished bronze chandelier adorned with plates, rosettes, almond shapes and molded and cut glass spheres. Old work in the 18th century style. Mounted for electricity, missing. H: 148 - D: 94 cm.

Jérôme MASSIER (1850-1926) in VALLAURIS Circular yellow-glazed earthenware dish. Signed under the base. Diam. 36.5 cm

Console desk, dark brown teak, good condition. 120X75X40.

CARLO DE CARLI (Italy, 1910-1999). Clothes hanger, ca.1950's-60's. Lacquered wood and walnut wood. Measurements: 182 x 94 x 25 cm. The minimalist aesthetic that characterized Carlo de Carli's designs is evident in this attractive coat rack, in which the Italian designer plays with a dialogue between natural and lacquered wood, as well as full and empty spaces, rectangles and laminated forms, filiform openwork and free-standing lanceolate forms. After turning to architecture in the 1950s, De Carli began to focus on furniture design, creating elegant and modern pieces for the most prestigious Italian manufacturers, such as Cassina and Tecno. He also worked on interior design projects for public and private buildings, such as apartments, hotels and offices. De Carli's style is characterized by understated elegance, simplicity and attention to detail. Throughout his career, De Carli received numerous awards and distinctions for his work, including the prestigious Compasso d'Oro in 1955 and 1960. Today, his furniture and interior architecture projects are considered emblematic examples of modern Italian design.

Herzog und Demeuron - Stool. Sculptural form in white stained wood. Manufactured a. distributed by Vitra (label under the base). (Signs of use). H. 42 cm. W. 39 cm. D. 26,5 cm.

ANNA CASTELLI (Milan, 1918 - 2006) for Kartell. Side table "Compniabili Model", 1969. Plastic. It has marks of use and scratches. It has a seal on the base. Measurements: 58 x 32 cm (diameter). The Componibili, initially called "mobili 4970/84", were first presented in 1967 at the Salone del Mobile in Milan and reflect Anna Castelli Ferrieri's idea of a design that should not only be beautiful, but also functional. The Componibili fully reflect the design trends of the early 1960s, years of economic boom and full development of the industry. The Componibili storage units were immediately appreciated for their functionality and modularity: the container elements can be superimposed without the aid of screws or pins, but thanks to a simple snap-together shape. They can be freely assembled in different compositions in terms of color and number of shelves. The storage units have a sliding opening characterized by a hole instead of a handle. They were also the first plastic assembled components. Anna Castelli was an Italian architect and industrial designer. She is best known for her influence on the use of plastic as a design material and for co-founding Kartell, an Italian contemporary furniture company. She was one of the first women to study at the Polytechnic University of Milan, where she graduated in architecture in 1943. After her studies, from 1946 to 1947, she worked as an editor for the architectural magazine Costruzioni. In 1949, Ferrieri joined her husband, Giulio Castelli, in founding the furniture company Kartell, which was to become a leading manufacturer of high-quality plastic furniture, lighting and home furnishings. As Kartell's in-house and principal designer, Anna Ferreri paved the way for innovative designs that led the company. In 1972, Ferrieri and her husband exhibited artwork in the show "Italia: The New Domestic Landscape" at the Museum of Modern Art in New York. This exhibition featured her "Componobili" from 1969. It presents marks of use and scratches.

Claude CHAMPY (b. 1944) Fessu, circa 1983 VASE. Enameled stoneware ball-shaped proof with pinched decoration. Signed under the base. Diam. 14 cm Bibliography : De la terre et du feu - 5 potiers contemporains (Pierre Bayle, Rene Ben Lisa, Claude Champy, Jean Girel, Daniel de Montmollin), Sèvres - Cité de la Céramique, Paris, RMN, 1983, a very similar model reproduced pp. 46-47 under reference 80.

TABLE BASSE - LOW TABLE Rectangular table in gilded wood and grey rechampi. Mabre top. Louis XVI style Height : 43 cm - Width : 104 cm - Depth : 53 cm (as is)

In the style of Arne HOVMAND-OLSEN (1919-1989) Teak coffee table, the raised top with slightly flared edges, resting on four compass legs linked by a cane-trimmed brace. Sacndinavian work from the 1970s. Height: 42 cm. Long. 97 cm. Depth: 47.5 cm.

A large carved limewood torch stand with acanthus-leaf top resting on a leafy, gnarled shaft supporting a drape. It stands on 3 feet with cherubs' heads and leafy crosses. 17th century Restoration pitting H : 184 cm.

Set of six molded or carved mahogany chairs with slightly upturned backs. Ringed tapered front legs, sabers at the back. Directoire style Pale green striped fabric upholstery H: 86 - W: 46 - D: 52 cm.

AUBUSSON - Carpet decorated with polychrome flower scrolls around a central rose window on an orange background, the border with a garland of roses and daisies on a green background. 392 x 362 cm Restoration period, circa 1820 (wear, acc, restoration, missing)

Pair of porcelain vases with handles with polychrome decorations of birds and oriental extreme scenes in reserves on white grounds strewn with naturalistic motives, the handles, the bases and the necks gilded. Paris, 19th century H: 27 cm .

Pedal harp, the console carved with acanthus scrolls and pearls, the fluted and filleted column, the table decorated in Martin varnish with music trophies and a country landscape. Signed Naderman in Paris. Louis XVI period (minor accidents and restorations, missing parts). H.: 164 cm, W.: 73 cm Jean-Henri NADERMAN (Fribourg, 1734 - Paris, 1799), luthier and composer in the service of Queen Marie-Antoinette. He opened a store on rue d'Argenteuil in 1773, then on rue de la Loi under the sign "A Clef d'or".

Patinated bronze statuette of a young shepherd flute player leaning on a column. 19th century. Presented on a rectangular base of yellow Sienna marble. H : 15 cm.

USM Haller Sideboard - Anthracite. Six compartments, three with flaps, one with drawer. H. 110 cm. W. 152 cm. D. 37 cm.

Gilt bronze and patinated automaton clock on inlaid wood base decorated with two sailing ships in turmoil at the foot of a fortification topped by a rock hosting the movement, the automaton driving the waves making the boats pitch. Patented by Solon-Crevier et Pidaime in Dieppe. Wire movement as is. In period glass globe with inlaid wood base. Restoration period. H: 61.5 cm (with bell) and H. (without bell): 51 cm Slightly missing

A flamed mahogany console with ebony and brass fillets, the waist opening to a drawer.resting on fluted columnar uprights, terminating in spinner feetand joined by an inlaid marble spacer shelf; top in white marbleveined marble top. Directoire period.H 89 x W 102 x D 32 cm

Covered vase in molded and carved gray-veined black marble and chased and gilded bronze, standing on three console feet with fleurons, the handles punctuated with four leaves, the gadrooned fretel surmounting a leafy acanthus terrace. Regency period for the frame, Antique Egypt for the marble. H.: 28 cm; L.:22 cm Provenance: Malatier Collection. For an example of similar mounts, see a pair of Campan marble vases, Didier Aaron catalog no. 4, notice 25.

Molded walnut chest of drawers, with a slightly sinuous front, opens with five drawers in three rows with crossbars. Straight doucine upright, turned edge crosspieces. Louis XV period Ornamentation of bronzes such as handles and entrances... H : 87 - W : 127 - D : 62 cm.

CHANEL - BAG MATTRESSED LEATHER BLACK GILDED METAL TRIM APPROX. 30 X 20 X 7 CM SMALL MARKS, SMALL PATINA CORNERS, METAL PATINA

Low table in silver-plated metal, in the form of a table top resting on columnar uprights joined by an X-shaped brace. 20th century H : 43 - W : 111 - D : 41 cm.

Le Corbusier - Lounger LC4. Iron frame, chrome-plated metal, upholstered, dark brown leather (stronger signs of wear). L. 165 cm. W. 53 cm.

Mithé ESPELT (1923-2020) Key ring or coat hook Glazed ceramic proof with birds facing each other around a flowerpot. Height 10.5 cm; Width 21.5 cm

REGAIN HOUSE Elm coffee table (small scratches and wear) (33 x 82 x 56 cm)

A "verdure" tapestry with a wooded landscape, a castle in the background, and a country scene in the foreground. Aubusson, 18th century (restorations, folded). 277 x 323 cm.

Louis van Teeffelen - Louis van Teeffelen (1921-1972) Teak veneer 3-drawer desk with floating top, open compartment on the right side and brass connection, design Louis van Teeffelen, executed by Wébé, model 'desk 1', Netherlands 1960-1963, 72 cm high, top 150x55 cm

Round iron chair, the slightly curved cross-braced backrest centered on a stamped copper rosette, straight legs ending in a ball. 20th century Black Skaï cushion upholstery Oxidation H : 84 - W : 39 - D : 43 cm.

Molded and carved wood harp; the stock with heart-shaped scrolls supported by large acanthus leaves; the column with flutes and asparagus; the soundboard with varnish decoration of garlands and foliage. Apocryphal Cousinau signature. Louis XVI period (as is). H : 170 cm.

CHINA. Small cabinet in black lacquered and gilded wood, carved and openworked with flowers and geometrical motifs, in two parts, the removable upper part crowned with a cornice, opening with two leaves revealing a niche decorated with a five-leaf screen featuring shanshui landscapes and vases, resting on four legs with triple bamboo-decorated uprights joined by spacer rods, marked with a white calligraphy stamp in three places (chips, cracks, weakened hinges, restorations). 19th century. Height : 115 cm - Width : 43 - Depth : 21 cm

Curious and rare engraved bronze cylinder; at one end, a representation of the equestrian statue erected Place Louis XV, at the opposite, a coat of arms under a crown* forming a seal. The cylinder is engraved with the text "Portion de la matière qui a été employée pour la fonte de la statue équestre du roi Louis XV coulée au Roule le 6 may 1758/Deux tiers jaune et un tiers rouge". 18th century (minor knocks). Length 10.9 cm. * The coat of arms of Jacques-Jérôme Jollivet de Vannes (March 16, 1712, Falaise - November 1, 1792, Paris), equerry, son of Hiérosme Jollivet, Directeur des Aides and Marie Anne Dumayne, King's Counselor in 1753, Provost General of the Ile de France, prosecutor and lawyer for the King and the city of Paris, received in survivorship from M. Antoine Moriau, on February 4, 1755. In 1786, he was appointed Honorary Public Prosecutor at Paris City Hall. On June 27, 1748, the aldermen of Paris proposed to the King the erection of an equestrian statue in his honor in the axis of the Grande Allée des Tuileries, at the untouched end of the palace gardens. From November 1752 to January 1757, Bouchardon worked on the plaster model of the horse and rider group, to scale. Casting took place on May 6, 1758. On August 11, 1792, the ensemble was destroyed by the revolutionaries.

Pedestal table in black relacquered wood and chased, knurled and gilded bronze; the violet breche top rests on a pedestal base with beaded rings joined by an openwork X-shaped brace; small toupee feet fitted with wheeled hooves. Plate by Sormani in Paris. Last third of the 19th century. H: 73 - D: 68 cm. (accidents)

Louis MAJORELLE (1859 - 1926). Tinted molded walnut coffee table with rectangular top opening at the waist with a drawer on a corner base with square-section twisted legs. The top is decorated with a chestnut leaf marquetry. Dimensions: 70 x 80 cm. Bibliography: Roselyne Bouvier, Majorelle - Une aventure moderne, La Bibliothèque des Arts & Éditions Serpenoise, Bienne, 1991, p. 87 for an archival photograph of the Magasins Majorelle on rue Saint Georges in Nancy displaying variants of our model. Collectif, Majorelle, un art de vivre moderne, catalog of the exhibition held at the Galeries Poirel from May 2 to August 30, 2009, Éditions Nicolas Chaudun & Ville de Nancy, Paris, 2009, table with top similar to our model referenced under no. 50 and reproduced on p. 53. Expert: Madame Amélie Marcilhac

Pair of finely carved and gilded oak entre-deux consoles decorated with rocaille, openwork cartouche and florettes. Red Breche marble top H.: 85 cm, W.: 68 cm, D.: 40 cm Parisian work of the Louis XV period (restorations to the gilding)

Wide and narrow wrought-iron console table, sinuous in shape, with a cross-braced belt decorated with foliage and fleurons, resting on two cambered scrolled legs ending in leaves. Molded red marble top Louis XV style circa 1950 H : 88 - W : 203 - D : 50 cm.

Jean CLOUTIER (b. 1930) & Robert CLOUTIER (1930-2008) ANTHROPOMORPHIC PITCHER Polychrome enameled ceramic jug decorated with a face and flower on the body. Signed on reverse. Height: 21 cm

MARIO CEROLI - Pair of side tables. Russian pine wood, marble. Production Atelier of the artist 1970s. 44x70x70 cm. A PAIR OF SIDE TABLES BY M. CEROLI Good overall condition. Scratches, scratches, misses and signs of wear from daily use.

LARGE MIZUYA KITCHEN CABINET in hinoki and keyaki wood, black and red lacquered, in two parts. The lower part opens to two sliding doors on a shelf, and the upper part opens to two pairs of sliding doors and eight drawers, with lacquered iron hardware. (Some wear and tear to the lacquer). Japan, Meiji period (1868-1912). A LARGE HINOKI AND KEYAKI WOODEN MIZUYA TANSU, JAPAN, MEIJI PERIOD (1868-1912). DIM. 174 X 182 X 48 CM (68 1/2 X 71 5/8 X 18 7/8 IN.) PROVENANCE Acquired from Galerie Captier, rue de Beaune, Paris.

REGAIN HOUSE Wooden bench with green cushions (65 x 180 x 90 cm) An identical armchair (tear) (83 x 83 cm) is included.

GIO PONTI - Side table. Nickel-plated brass, Securit crystal, opaline glass. Fonta Arte production 1930s. 42x32.5 cm. AN OCCASIONAL TABLE BY G. PONTI For similar models see: L. Falconi, Gio Ponti: interiors objects designs, Milan 2004, p. 65, 8, 234. Good overall condition. Small lines, light scratches, normal signs of wear. Missing chrome plating, slight oxidation.