LITERATURE. Set of 21 documents. AICARD Jean (1848-1921) 3 autograph letters signed, Paris, Toulon, August 4 [18]76, September 24 [18]76 and (s.d.) 4 pp. in-8. On August 4, about La Chanson de l'enfant "I receive today a letter from Camille Doucet who officially announces me the prize awarded by the [French] Academy to my volume. (...) I would have liked, before my departure, to see the first drawing.... promised for this time (...)", on September 24 to Claudius Popelin, he announces "I have the greatest impatience to see what you have done for me (...) I have just written to Prunaire and to the publisher, in order to press him. I will not be in Paris until the end of October. My first visit will be for you (...)" (n.d.) to the same, he evokes his work "As for the format of the book, the publisher is definitely sticking to the one of the edition that you have in hand (...)" he continues by evoking the typography, and other questions related to the publication of the work; ANOUILH Jean (1910-1987) autograph letter signed, in Switzerland (n.d.) 1 p. folio. He writes "(...) your letter touches me very much by your accent of sincerity and the love of Molière of which it testifies (...)"; AYME Marcel (1902-1967) autograph signed receipt to Mr. Charles Demogeot, Paris, July 21, 1932. 1 p. in-8. Envelope enclosed. He pays the invoice "(...) n°82838 of June 30, 1932 (...)"; BARJAVEL René (1911-1985) autograph letter signed to "Guy et Jeanne-Marie" (s.l.) January 3, 1982. 2 pp. large in-8. Header with his name and first name printed. He announces his departure and warns them "(...) 1982 will shake us. It will be necessary to hold good the branches. I wish you sun, joy and peace, as much as possible (...)"; BARNES Julian (1946-) autograph postcard to Elisabeth Gillet-Perrot, April 1, 2004. 1 p. in-12 oblong. "I am very glad that you liked my last two books. I don't know if English authors are more polite than their French counterparts. It may be that one always answers a letter that arrives from abroad and that one is always more negligent towards one's countrymen (...)"; [BARRES] Maurice (1862-1923) two black & white photographs. A portrait of the writer at Sainte Odile (25.7 x 19.1 cm, 3 corners bent, two tears on the left side edge) and a photograph of Maurice Barrès' house at Charmes in the Vosges (17.8 x 12.7 cm, laminated on cardboard); BARRIE James Matthew (1860-1937) autograph letter signed to [Arthur O' Rielatt], 133 Gloucester Road, "3 June 1902". 1 p. in-8. He thanks his correspondent for his letter but other arrangements prevail, he wishes him much success; BRADBURY Ray (1920-2012) black & white photograph, dated (1981) and signed. 20,6 x 25,4 cm; DUMAS Alexandre fils (1824-1895) 3 autograph letters signed, (s.l.n.d.). 5 pp. in-8. Address and postal marks for one of them. Of which the letter (s.d.) to "Dear Madam" he writes "I see no inconvenience that you dispose of the letters of Mad Sand of my father and even of me unless these letters are of a too great intimacy (...)"; FABRE Ferdinand (1827-1898) autograph letter signed [to Anatole France] (s.l.) December 24, 97. 2 pp.1/2 in-12. "A year ago you entered my salon in your brand new academician's outfit, your face rejoiced by the applause you received (...) After having pronounced your reception speech you made a point of shaking hands with Ferdinand Fabre. I will never forget this impulse of your heart full of great love of letters that I share so deeply with you (...) I wish you all the happiness; with the masterpiece that you will certainly realize in 98 (...)"; GENEVOIX Maurice (1890-1980) black & white photograph, dedicated and signed "For Henri Corbière with best wishes and sympathy (...). 17,6 x 23,5 cm; LITTRE Émile (1801-1881) printed piece with autograph annotations and autograph corrections signed (signature at the top of the page p1197). (s.l.n.d.) "December 1st". 4 pp. in-folio (printed) and 4 pp. in-12, including 3 pages pasted on the printed pages. Particularly interesting document about his dictionary. These are the proofs of pages 1197-1200 of his dictionary. Numerous autograph corrections and additions pasted in the margin, in particular the words: pole, politeness. He asks for a new proof; MAILER Norman Kingsley (1923-2007) black and white portrait, dedicated and signed (22 x 25,4 cm); MERIMEE Prosper (1803-1870) autograph letter signed, Cannes, January 8 [1864]. 1 p. in-8. Mérimée thanks his correspondent for his "charming little volume". He is ill and takes care of sick people, he regrets not being able to "(...) bring you my thanks. So please allow me Madame to pay you my compliments by letter (...)"; ROLLAND Romain (1866-1944) autograph letter signed (s.l.n.d.) "Sunday 12 March" 2 pp. in-8. Letter torn on the left side edge with missing text in the second page. He explains "I had