TROIANO TROIANI, Placca/altorilievo in bronzo
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TROIANO TROIANI (Buia 1885 - Buenos Aires 1963)
Female figure
Bronze plaque/alt relief, lost-wax casting with plexiglass support.
Signature at lower left.
cm 19 x 13 H. 4.5.
PERICLE FAZZINI, I gabbiani, Vaso in bronzo
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PERICLE FAZZINI (Grottammare 1913 - Rome 1987)
Seagulls
Bronze vase, lost-wax casting, est. 7/200
Signature on the back
Within box.
cm 17 x 4.5 H. 15.5.
MARIO CARGNELLI, Figura stilizzata, Scultura in bronzo
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MARIO CARGNELLI (20th century)
Stylized figure
Bronze sculpture, lost-wax casting
Signature on back.
cm H. 67.5.
EMILIO ALBERTI, Due rondini, Scultura in bronzo
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EMILIO ALBERTI (Carugo 1952)
Two swallows
Bronze sculpture, lost-wax casting, ex. 9/99
Signed.
14 x 11 cm H. 6.
GIOVANNI DE ANGELIS, Cavaliere e cavallo, Scultura in bronzo
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GIOVANNI DE ANGELIS (Ischia 1938)
Horseman and horse
Bronze sculpture, lost-wax casting, ex. 8/99
Signed.
14 x 10.5 cm H. 24.5.
TROIANO TROIANI, Testa di donna, Scultura in bronzo
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TROIANO TROIANI (Buia 1885 - Buenos Aires 1963)
Woman's head
Bronze sculpture, lost-wax casting, est. 66/100
Signature at bottom.
cm H. 18.
MATTI HAUPT, The Hairdo, Scultura in bronzo
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MATTI HAUPT (St. Petersburg 1912 - Helsinki 1999)
The Hairdo
Bronze sculpture, lost-wax casting
Signed.
15.5 cm h.
ELVIO BECHERONI, Scultura in due elementi in bronzo
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ELVIO BECHERONI (Florence 1934 - 2000)
A perpetual union
Sculpture in two bronze elements with wooden base, lost-wax casting, ex. 2/100
Signed.
25 x 4 cm H. 14.
GIUSEPPE SARDISCO, Figura, Scultura in bronzo
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GIUSEPPE SARDISCO (Monreale 1936)
Figure
Bronze sculpture, lost-wax casting.
Signature on side.
48 x 20 cm H. 52.5.
AUGUSTO MURER, Due cavalli, Scultura in bronzo
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AUGUSTO MURER (Falcade 1922 - Padua 1985)
Two horses - 1983
Bronze sculpture, lost-wax casting, est. 19/25
Signed.
35 x 25 cm H. 27.
SCULTORE DEL XX SECOLO, Scultura in bronzo
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SCULPTOR OF THE 20TH CENTURY
Untitled
Bronze sculpture, lost-wax casting
Monogrammed "E R" with metal base.
87 x 23 cm H. 41.
VINCENZO GENNARO, Senza titolo, Scultura in bronzo
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VINCENZO GENNARO (Petralia Soprana 1944)
Untitled - 1986
Bronze sculpture, lost-wax casting with wooden base.
Signature on the back.
cm 40 x 40 H. 46.
VINCENZO GENNARO, Senza titolo, Scultura in bronzo
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VINCENZO GENNARO (Petralia Soprana 1944)
Untitled - 1990
Bronze sculpture, lost-wax casting with wooden base.
Signature on the back.
cm 50 x 35 H. 35.
20th century school, after Constantin BRANCUSI, Portrait of Miss Pogany
Direct-cut wood sculpture.
Annotated on the base in pencil "Mlle Pogany d'après Brancusi" and monogrammed AM
H. 24 cm
Total height: 35 cm
Set comprising two hard stone sculptures, one depicting birds in a tree forming a vase, H.28 cm, the other in rose quartz depicting birds on a basket, H.27 cm
Wooden bases
(accidental damage)
Three terracotta fragments representing a man's head (Southeast Asia), a woman's head (Phoenicia?) and a bas-relief depicting the goddess Lakshmi
representing the goddess Lakshmi surrounded by two elephants.
Early work
H. 12 cm, 5.5 cm and 7 x 9 cm (without bases)
(Damage, missing parts and as is)
Seated meditating Buddha in Bumisparsa mudra (witnessing the earth) resting on a high base
Bronze, formerly gold-lacquered
Thailand, Rattanakosin period, 19th century
H. 19 cm
Georges, known as Géo MAXIM (1885-1940),
Young woman holding two greyhounds
Group in black patina regula on a black and breccia marble base.
Signed
46 x 79 x 17 cm
(Accident to the foot attachment and glued back in place)
School after Michelangelo: Moses holding the Tables of the Law
Proof in patinated regula
H. 34 cm
A white earthenware vase with floral decoration (accidents) H. 22 cm and an elegant woman holding a fan in composition H. 31 cm are included.
After Édouard Paul DELABRIERRE (1829-1912)
Two quails
GROUPE in patinated bronze, signed on the terrace
Oval base in veined red marble
28 x 28 x 16.5 cm
Alphonse Emmanuel DE MONCEL DE PERRIN (1866-1930)
Alain CHARTIER
BRONZE with brown patina, signed and titled on the terrace
Foundry: R. Cottin, Paris
H. 72.5 cm
(worn patina)
Alain Chartier (c. 1385/90-c. 1430) was a French poet, diplomat, orator and political writer.
INDIA, 19th Century
Sculpture of a billy goat
in carved wood and polychrome lacquer
Presented on a base with borders carved with lotus petals
102 x 94 x 40 cm
(wear)
After Jan and Joël MARTEL (1896-1966), Evolution Edition
Scottish pigeon, Circa 1930
in beige and mottled glazed earthenware
Signed on the terrace
Publisher's and ceramist's mark Gonse under the base
H. 24 cm
(small chips on the tip of the tail, chips on two corners of the terrace)
Bruno CASSINARI (1912-1992)
Volto
BRONZE signed and numbered 63/100
26 x 20 cm
Mounted on a wood and stucco support
Certificate of authenticity on back
57 x 47 cm
After Roger BEZOMBES (1913-1994)
Cuckoo Bird, 1972
PLAQUE in patinated bronze enriched with colored pearls
Signed
D. 23 cm
Roger Bezombes exhibition at the Monnaie de Paris, 1972.
After Roger BEZOMBES (1913-1994)
Tribute to César
two-sided bronze MEDAL featuring the sculptor's portrait on the obverse and his thumb on the reverse
in patinated bronze - Signed
D. 8.7 cm
Roger Bezombes exhibition at the Monnaie de Paris in 1972.
Pair of "Bacchanalian" PUTTI
In the 18th century Italian style
in carved stone
They are shown seated, holding a chalice and a bunch of grapes.
H. 93 cm
(restorations - accidents and missing parts)
Provenance: Property of Saint Jean Cap Ferrat.
Pair of PUTTI musicians
In the 18th century Italian style
in carved stone
One with a trumpet, the other with a lyre
H. 99 cm
(accidents and restorations)
Presented on square cement bases
Provenance: Property of Saint Jean Cap Ferrat.
Pair of spherical ORNAMENTS
in carved stone
Presented on square stepped bases
H. 60 cm
(missing - cement)
Provenance: Property of Saint Jean Cap Ferrat.
Antoine-Louis BARYE (1795-1875).
Standing Jaguar.
Patinated bronze subject with gilded F.B stamp and Ferdinand BARBEDIENNE foundry. FB stamp used from 1876 to 1889.
Signed on the terrace and signed by the founder plus gilded stamp. Barbedienne label on reverse and numbered 45 on reverse.
Cast in the 19th century.
The label indicates that the print was placed on deposit in the company's stores.
13.5 x 21 x 6.5 cm.
Antoine-Louis BARYE (1795-1875), after.
Lion with snake, known as the Lion of the Tuileries.
Bronze with medallic patina, signed on the terrace, foundry stamp BRONZE GARANTI PARIS JB DEPOSEE. Modern cast.
Black marble oval base.
26 x 28.5 x 19 cm.
ARNO BREKER_x001D_ Elberfeld 1900 - 1991 Düsseldorf
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ARNO BREKER_x001D_ Elberfeld 1900 - 1991 Düsseldorf In expectation. Nude of a young woman leaning backwards with her head raised. Bronze with brown patina on a separate greenish marble base 1978. expl. 56/100. with the artist's signature and the foundry address of "Venturi Arte". Height: 30.5 cm (incl. plinth: 32 cm). Width: 16 cm. Depth: 24.5 cm. Base: 2.8 x 20 x 25 cm. With faint or slight scratch mark to her right thigh or hip. [ms.]
ERNST FUCHS_x001D_ 1930 - Wien - 2015
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ERNST FUCHS_x001D_ 1930 - Vienna - 2015 Daphne. Bronze with black patina and with attached agraffe with gold-colored patina in places, 1973. expl. "0870". With double signature and the publisher's and caster's stamps "Euro Art" and "Venturi Arte" on the underside. Height (incl. agraffe): 41 cm. Width: 12 cm. Depth: 11.5 cm. [bg]
GEORG (GYÖRGY) VON KOVATS_x001D_ Klausenburg /Ungarn 1912 - 1927 Gauting b. München
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GEORG (GYÖRGY) VON KOVATS_x001D_ Klausenburg /Hungary 1912 - 1927 Gauting near Munich Sitting small bird. Bronze with mount coating. Height: 4 cm. Width: 4.5 cm. Depth: 7 cm. With a few black spots. Kovats studied at the Vienna Academy in 1931/34, then in Budapest, Florence and Bratislava. In 1935/37 he was a student at the Dresden Academy under K. Albiker and in 1938 he stayed in Paris with C. Despiau before becoming a master student of R. Scheibe in Berlin until 1945. [bg]
LASZLO SZABO_x001D_ Debrecen/Ungarn 1917 - 1984 Ravanel/Oise
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LASZLO SZABO_x001D_ Debrecen/Hungary 1917 - 1984 Ravanel/Oise Abstract composition. Bronze with golden brown patina with plinth and base. With the name and place inscription "Paris" in the plinth. Height: 119 cm; width: 21.5 cm; depth: 21.5 cm (all including plinth). With small scratch mark and rubbing to the edge of the plinth. After fleeing Hungary, Szabó studied at the art school in Geneva under M. Weber and H. Koenig. After receiving a scholarship, the artist lived in Paris from 1947, where his sculpturally designed studio, the so-called Académie du Feu, developed into a meeting place and workplace for up to 15 artists. From 1949, Szabó exhibited regularly at the Salon de la Jeune Sculpture, and from 1951 also at the Salon des Réalités Nouvelles. Szabó had his first solo exhibition in 1953 at the Galerie Breteau, Paris. His work includes fertility idols, trees of life and anthropomorphic figures as well as birds and fish. Szabó saw sculpture as a premonition of a new kind of organic architecture. Sprawling natural forms and stylized elements based on mythological motifs combine to create a fantastic overall composition, the main characteristic of which is the round, gently flowing lines. Works in public spaces can be found in Munich in the Olympic Village, in Mannheim in front of the Kunsthalle as well as in Mainz and Wiesloch. [bg]
ANDREAS URTEIL_x001D_ Gakovo/Serbien 1933 - 1963 Wien
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ANDREAS URTEIL_x001D_ Gakovo/Serbia 1933 - 1963 Vienna Figure, turned. Bronze, brown patina, 1961, Breicha 63 - Expl. "046"/1000. With the name in the plinth as well as the publisher's stamp of Edition Euro Art, Vienna and the foundry mark of Venturi Arte, Bologna. Height: 44 cm. Width: 13 cm. Depth: 13 cm. Urteil studied at the master school for sculpture under F. Wotruba in Vienna in 1953; his fellow students included J. Avramidis, A. Hrdlicka and R. Goeschl. After study trips, he moved into a shared studio with J. Ortner in 1956 and held a teaching position for stone sculpture at F. Wotruba's master school from 1961. "The artist is considered the main representative of informal sculpture in Europe. His materials are stone, wood, cement and cast bronze. Although he only had a few years at his disposal due to his early death from cancer, he was able to create an extremely intense, self-contained oeuvre in several successive phases. The starting point is the human form with its anatomical regularities... From 1955/56 onwards, he built up the figure as an additive, distinctly separate construction from individual parts of the body. He depicts the figurations as an exciting continuum of contradictory flowing movements in the transition from one action to the next with the stretching and bending of the limbs, expressing conflicting forces between compression and disintegration, pause and change, order and restlessness" (AOW/AKL; online). [bg]
ANDY WARHOL_x001D_ Pittsburgh 1928 - 1987 New York
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ANDY WARHOL_x001D_ Pittsburgh 1928 - 1987 New York Two Dollar Jefferson. Ready-made. Two dollar bill (serial number J00258546A) with collaged and canceled 13 cent stamp (Hawaiian flag) between 2 plexiglass panes, 1976. Signed in black felt-tip pen. With the name stamp on the verso. 6.5 x 15.5 cm (total size: 15 x 20.5 cm). Enclosed: Certificate of authenticity from Galerie 32, Nice dated October 17, 2019 [bg].
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